Identifying mutual engagement

Mutual engagement occurs when people creatively spark together and enter a state of group flow. We present a characterisation of mutually engaging interaction, discuss design features which contribute to mutually engaging interactions, and identify a set of measures for identifying mutual engagement in collaboration. A collaborative music editor's interface features are systematically manipulated in an empirical study of their effect on mutual engagement. The results of the study show that providing shared annotation mechanisms and awareness of identity of others significantly increases mutually engaging interaction.

[1]  Nick Bryan-Kinns.  Daisyphone: the design and impact of a novel environment for remote group music improvisation , 2004, DIS '04.

[2]  Jean-Louis Coatrieux,et al.  A look at . . . , 2008, IEEE Engineering in Medicine and Biology Magazine.

[3]  Kenton O'Hara,et al.  Collecting and Sharing Location-based Content on Mobile Phones in a Zoo Visitor Experience , 2007, Computer Supported Cooperative Work (CSCW).

[4]  P. Healey,et al.  Cues to Mutual Knowledge , 2007 .

[5]  付伶俐.  打磨Using Language,倡导新理念 , 2014 .

[6]  Phil Burk.  Jammin' on the Web - a new Client/Server Architecture for Multi-User Musical Performance , 2000, ICMC.

[7]  Judith S. Olson,et al.  Groupwork close up: a comparison of the group design process with and without a simple group editor , 1993, TOIS.

[8]  R. Keith Sawyer,et al.  Group Creativity: Music, Theater, Collaboration , 2003 .

[9]  Gary M. Olson,et al.  Unblocking brainstorming through the use of a simple group editor , 1992, CSCW '92.

[10]  Steve Benford,et al.  User embodiment in collaborative virtual environments , 1995, CHI '95.

[11]  Sidney S. Fels,et al.  Designing for intimacy: creating new interfaces for musical expression , 2004, Proceedings of the IEEE.

[12]  Sergi Jordà,et al.  Improvising With Computers: A Personal Survey (1989–2001) , 2002, ICMC.

[13]  Miranda Tufnell,et al.  Body Space Image , 1999 .

[14]  Andrew Hargadon,et al.  The pleasure principle: immersion, engagement, flow , 2000, HYPERTEXT '00.

[15]  Kristina Höök,et al.  CHI '12 Extended Abstracts on Human Factors in Computing Systems , 2012, CHI 2012.

[16]  Sergi Jordà,et al.  FMOL: Toward User-Friendly, Sophisticated New Musical Instruments , 2002, Computer Music Journal.

[17]  Pieter Desmet,et al.  Measuring Emotion: Development and Application of an Instrument to Measure Emotional Responses to Products , 2005, Funology.

[18]  Jonathan Trevor,et al.  Anchored conversations: chatting in the context of a document , 2000, CHI.

[19]  M. Grant,et al.  Communities of practice. , 2020, Health progress.

[20]  Jay F. Nunamaker,et al.  A group decision support system for idea generation and issue analysis in organization planning , 1986, CSCW '86.

[21]  Genny Tortora,et al.  SLMeeting: supporting collaborative work in Second Life , 2008, AVI '08.

[22]  Tina Blaine,et al.  Contexts of Collaborative Musical Experiences , 2003, NIME.

[23]  Sergi Jordà.  Multi-user Instruments: Models, Examples and Promises , 2005, NIME.

[24]  M. Csíkszentmihályi.  Flow. The Psychology of Optimal Experience. New York (HarperPerennial) 1990. , 1990 .

[25]  Andreas Butz,et al.  Organizational Design , 2014, Encyclopedia of Social Network Analysis and Mining.

[26]  Carlos J. Costa,et al.  WebStorm: mixing brainstorming with art in the web , 2007, SIGDOC '07.

[27]  Florian Vogt,et al.  Tooka: Exploration of Two Person Instruments , 2002, NIME.

[28]  Nicola Orio,et al.  Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI , 2001, Computer Music Journal.

[29]  Rebecca E. Grinter,et al.  Let’s Get Physical! In, Out and Around the Gaming Circle of Physical Gaming at Home , 2007, Computer Supported Cooperative Work (CSCW).

[30]  E. Wenger.  Communities of Practice: Learning, Meaning, and Identity , 1998 .

[31]  Gil Weinberg,et al.  The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument , 2001, Computer Music Journal.

[32]  Judith S. Olson,et al.  Distance Matters , 2000, Hum. Comput. Interact..

[33]  Wendy A. Kellogg,et al.  Social translucence: an approach to designing systems that support social processes , 2000, TCHI.

[34]  Wijnand A. IJsselsteijn,et al.  The unbearable lightness of being there: contrasting approaches to presence engineering , 2003, Visual Communications and Image Processing.

[35]  Jennifer G. Sheridan,et al.  Designing for performative tangible interaction , 2008, Int. J. Arts Technol..

[36]  Tina Blaine,et al.  The Jam-O-Drum interactive music system: a study in interaction design , 2000, DIS '00.

[37]  Dorothy Miell,et al.  Children’s Creative Collaborations: The Importance of Friendship when Working Together on a Musical Composition , 2000 .

[38]  Dan Stowell,et al.  Evaluation of live human-computer music-making: Quantitative and qualitative approaches , 2009, Int. J. Hum. Comput. Stud..

[39]  Nick Bryan-Kinns,et al.  Mobile Group Music Improvisation , 2004 .

[40]  Hilary Johnson,et al.  Towards modeling individual and collaborative construction of jigsaws using task knowledge structures (TKS) , 2003, TCHI.

[41]  Carl Gutwin,et al.  A Descriptive Framework of Workspace Awareness for Real-Time Groupware , 2002, Computer Supported Cooperative Work (CSCW).

[42]  Carl Gutwin,et al.  The effects of co-present embodiments on awareness and collaboration in tabletop groupware , 2008, Graphics Interface.

[43]  Toni Robertson,et al.  Cooperative Work and Lived Cognition: A Taxonomy of Embodied Actions , 1997, ECSCW.

[44]  Andreas Butz,et al.  The EnLighTable: Design of Affordances to Support Collaborative Creativity , 2006, Smart Graphics.

[45]  KindbergTim,et al.  Collecting and Sharing Location-based Content on Mobile Phones in a Zoo Visitor Experience , 2007 .

[46]  Steve Benford,et al.  The Cooperative Work of Gaming: Orchestrating a Mobile SMS Game , 2007, Computer Supported Cooperative Work (CSCW).

[47]  Victoria Bellotti,et al.  A Look at Tokyo Youth at Leisure: Towards the Design of New Media to Support Leisure Outings , 2007, Computer Supported Cooperative Work (CSCW).

[48]  Herbert H. Clark,et al.  Grounding in communication , 1991, Perspectives on socially shared cognition.

[49]  lvaro Barbosa,et al.  Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation , 2003, Leonardo Music Journal.

[50]  Mark Blythe,et al.  Funology:From Usability to Enjoyment , 2003 .

[51]  Gerhard Fischer,et al.  Symmetry of ignorance, social creativity, and meta-design , 2000, Knowl. Based Syst..

[52]  Paul Dourish,et al.  Awareness and coordination in shared workspaces , 1992, CSCW '92.

[53]  Nick Bryan-Kinns,et al.  Exploring mutual engagement in creative collaborations , 2007, C&C '07.

[54]  Christopher Dobrian,et al.  The 'E' in NIME: Musical Expression with New Computer Interfaces , 2006, NIME.

[55]  Nick Bryan-Kinns,et al.  Decay in Collaborative Music Making , 2006, NIME.

[56]  Ivan Poupyrev,et al.  New interfaces for musical expression , 2001, CHI Extended Abstracts.