gesture in communicating musical expression to an audience Music, movement and marimba: an investigation of the role of movement and
暂无分享,去创建一个
[1] J. Davidson. Visual Perception of Performance Manner in the Movements of Solo Musicians , 1993 .
[2] J. Davidson,et al. Gender and Race Bias in the Judgement of Western Art Music Peiformance , 2003 .
[3] R. Buck,et al. Communication of affect through facial expressions in humans. , 1972, Journal of personality and social psychology.
[4] Sofia Dahl. The Playing of an Accent – Preliminary Observations from Temporal and Kinematic Analysis of Percussionists* , 2000 .
[5] Musical Performance: Listening to performance , 2002 .
[6] P. Juslin,et al. Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience , 1996 .
[7] A. Friberg,et al. Visual Perception of Expressiveness in Musicians' Body Movements , 2007 .
[8] Michael Schutz,et al. Hearing Gestures, Seeing Music: Vision Influences Perceived Tone Duration , 2007, Perception.
[9] Charles A. Elliott. Race and Gender as Factors in Judgments of Musical Performance. , 1996 .
[10] E. Bigand,et al. Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training , 2006, Cognition.
[11] C. Krumhansl,et al. Cross-modal interactions in the perception of musical performance , 2006, Cognition.
[12] Frank A. Russo,et al. Seeing music performance: Visual influences on perception and experience , 2005 .
[13] E. Thelen,et al. Hand, mouth and brain. The dynamic emergence of speech and gesture , 1999 .
[14] Joyce Eastlund Gromko. Perceptual Differences between Expert and Novice Music Listeners: A Multidimensional Scaling Analysis , 1993 .
[15] Antonio Camurri,et al. Recognizing emotion from dance movement: comparison of spectator recognition and automated techniques , 2003, Int. J. Hum. Comput. Stud..
[16] D. McNeill. Hand and Mind: What Gestures Reveal about Thought , 1992 .
[17] Musical Performance: Understanding the psychology of performance , 2002 .
[18] D. Simons,et al. Moving and looming stimuli capture attention , 2003, Perception & psychophysics.
[19] A. Chen,et al. An examination of situational interest and its sources. , 2001, The British journal of educational psychology.
[20] S. Goldin-Meadow,et al. The resilience of gesture in talk: gesture in blind speakers and listeners , 2001 .
[21] A. Kendon. Gesture: Visible Action as Utterance , 2004 .
[22] Marcelo M. Wanderley,et al. The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field , 2005 .
[23] D. Berlyne. Novelty, complexity, and hedonic value , 1970 .