The “Musical Emotional Bursts”: a validated set of musical affect bursts to investigate auditory affective processing
暂无分享,去创建一个
[1] São Luís Castro,et al. Not all sounds sound the same: Parkinson's disease affects differently emotion processing in music and in speech prosody , 2013, Journal of clinical and experimental neuropsychology.
[2] Carlos D. Castillo,et al. Facial Action Coding , 2009, Encyclopedia of Biometrics.
[3] K. Zilles,et al. Recognition of emotional prosody and verbal components of spoken language: an fMRI study. , 2000, Brain research. Cognitive brain research.
[4] Isabelle Peretz,et al. Congenital Amusia A Disorder of Fine-Grained Pitch Discrimination , 2002, Neuron.
[5] D. Västfjäll,et al. Emotional responses to music: the need to consider underlying mechanisms. , 2008, The Behavioral and brain sciences.
[6] I. Peretz,et al. Impaired recognition of scary music following unilateral temporal lobe excision. , 2005, Brain : a journal of neurology.
[7] Sophie K. Scott,et al. The structural neuroanatomy of music emotion recognition: Evidence from frontotemporal lobar degeneration , 2011, NeuroImage.
[8] P. Juslin,et al. Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience , 1996 .
[9] M. Kenward,et al. It's not what you play, it's how you play it: Timbre affects perception of emotion in music , 2009, Quarterly journal of experimental psychology.
[10] Thomas F Münte,et al. Unforgettable film music: The role of emotion in episodic long-term memory for music , 2008, BMC Neuroscience.
[11] Marc D. Pell,et al. Cerebral mechanisms for understanding emotional prosody in speech , 2006, Brain and Language.
[12] M. Coltheart,et al. Modularity of music processing , 2003, Nature Neuroscience.
[13] Barbara Tillmann,et al. Judging familiarity and emotion from very brief musical excerpts , 2010, Psychonomic bulletin & review.
[14] I. Peretz,et al. Time course of melody recognition: A gating paradigm study , 2003, Perception & psychophysics.
[15] Marc Schröder,et al. Experimental study of affect bursts , 2003, Speech Commun..
[16] R. Adolphs,et al. Impaired recognition of emotion in facial expressions following bilateral damage to the human amygdala , 1994, Nature.
[17] Sophie K. Scott,et al. Cross-cultural recognition of basic emotions through nonverbal emotional vocalizations , 2010, Proceedings of the National Academy of Sciences.
[18] M. Terwogt,et al. Musical Expression of Moodstates , 1991 .
[19] Pascal Belin,et al. Amygdala responses to nonlinguistic emotional vocalizations , 2007, NeuroImage.
[20] W. Thompson,et al. Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis , 2012, Proceedings of the National Academy of Sciences.
[21] P. Laukka,et al. Communication of emotions in vocal expression and music performance: different channels, same code? , 2003, Psychological bulletin.
[22] J. Sloboda,et al. Handbook of Music and Emotion: Theory, Research, Applications , 2011 .
[23] R. Zatorre,et al. Anatomically distinct dopamine release during anticipation and experience of peak emotion to music , 2011, Nature Neuroscience.
[24] I. Peretz,et al. Brain organization for music processing. , 2005, Annual review of psychology.
[25] M. Frank,et al. The forced-choice paradigm and the perception of facial expressions of emotion. , 2001, Journal of personality and social psychology.
[26] P. Belin,et al. Cross-Cultural Differences in the Processing of Non-Verbal Affective Vocalizations by Japanese and Canadian Listeners , 2013, Front. Psychol..
[27] P. Juslin,et al. Emotional expression in music. , 2003 .
[28] D. Gentile,et al. Infants' discrimination of happy and sad music. , 2008, Infant behavior & development.
[29] W. Thompson,et al. A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect , 2006 .
[30] I. Peretz,et al. Universal Recognition of Three Basic Emotions in Music , 2009, Current Biology.
[31] K. Scherer. Vocal affect expression: a review and a model for future research. , 1986, Psychological bulletin.
[32] A. Friederici,et al. On the lateralization of emotional prosody: An event-related functional MR investigation , 2003, Brain and Language.
[33] D. Hasboun,et al. Impaired recognition of fear in voices and reduced anxiety after unilateral temporal lobe resection , 2011, Neuropsychologia.
[34] S. Green,et al. The Ability to Identify Emotional Content of Solo Improvisations Performed Vocally and on Three Different Instruments , 1993 .
[35] William Aubé,et al. The effects of emotion on memory for music and vocalisations , 2013, Memory.
[36] C. Bellone,et al. ON A ROLE , 1996 .
[37] R. Elliott,et al. The neural response to emotional prosody, as revealed by functional magnetic resonance imaging , 2003, Neuropsychologia.
[38] K. Scherer,et al. Emotions evoked by the sound of music: characterization, classification, and measurement. , 2008, Emotion.
[39] Isabelle Peretz,et al. Towards a Neurobiology of Musical Emotions , 1993 .
[40] W. Thompson,et al. Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners 1 , 2004 .
[41] I. Peretz,et al. Happy, sad, scary and peaceful musical excerpts for research on emotions , 2008 .
[42] 宁北芳,et al. 疟原虫var基因转换速率变化导致抗原变异[英]/Paul H, Robert P, Christodoulou Z, et al//Proc Natl Acad Sci U S A , 2005 .
[43] São Luís Castro,et al. Speaking to the trained ear: musical expertise enhances the recognition of emotions in speech prosody. , 2011, Emotion.
[44] William P. Dunlap,et al. On the questionable soundness of factoring ipsative data: A response to Saville & Willson (1991) , 1994 .
[45] Isabelle Peretz,et al. Modulation of the startle reflex by pleasant and unpleasant music. , 2009, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.
[46] I. Peretz,et al. A developmental study of the affective value of tempo and mode in music , 2001, Cognition.
[47] P. Ekman. Emotion in the human face , 1982 .
[48] R. Adolphs,et al. Amygdala damage impairs emotion recognition from music , 2007, Neuropsychologia.
[49] M. Kreutzer,et al. DARWIN and FACIAL EXPRESSION A CENTURY OF RESEARCH IN REVIEW , 2014 .
[50] P. Belin,et al. Auditory adaptation in vocal affect perception , 2010, Cognition.
[51] D. Javitt,et al. Reduction in tonal discriminations predicts receptive emotion processing deficits in schizophrenia and schizoaffective disorder. , 2013, Schizophrenia bulletin.
[52] K. Scherer,et al. Acoustic profiles in vocal emotion expression. , 1996, Journal of personality and social psychology.
[53] I. Peretz,et al. Music and emotion: perceptual determinants, immediacy, and isolation after brain damage , 1998, Cognition.
[54] W. Thompson,et al. A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues , 1999 .
[55] Annett Schirmer,et al. On the role of attention for the processing of emotions in speech: sex differences revisited. , 2005, Brain research. Cognitive brain research.
[56] J. Marozeau,et al. Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts , 2005 .
[57] F. Gosselin,et al. The Montreal Affective Voices: A validated set of nonverbal affect bursts for research on auditory affective processing , 2008, Behavior research methods.