Goa Hippy Tribe: Theorising Documentary Content on a Social Network Site
暂无分享,去创建一个
[1] K. Crawford. Following you: Disciplines of listening in social media , 2009 .
[2] Trish FitzSimons,et al. Braided Channels: A Genealogy of the Voice of Documentary , 2009 .
[3] R. Day. Remediation: Understanding new media , 1999 .
[4] Paul Harris,et al. From Michael Moore to JFK Reloaded: Towards a working model of interactive documentary , 2007 .
[5] C. Hight. Webcam Sites: The Documentary Genre Moves Online? , 2001 .
[6] Debra Beattie,et al. Documentary expression online: The Wrong Crowd, a history documentary for an ‘electrate’ audience , 2008 .
[7] José van Dijck,et al. Users like you? Theorizing agency in user-generated content , 2009 .
[8] A. Hill. Documentary modes of engagement , 2008 .
[9] Susan Luckman,et al. Future Audiences for Australian Stories: Industry Responses in a Post-Web 2.0 World , 2009 .
[10] David Kirkpatrick,et al. The Facebook Effect: The Inside Story of the Company That Is Connecting the World , 2010 .
[11] Bjørn Sørenssen. Digital video and Alexandre Astruc's caméra-stylo: the new avant-garde in documentary realized? , 2008 .
[12] Marsha Kinder. Hot spots, avatars and narrative fields for ever: Buñuel's legacy for new digital media and interactive database narrative , 2002 .
[13] Elizabeth Coffman. Documentary and Collaboration: Placing the Camera in the Community , 2009, Journal of Film and Video.
[14] Bill Nichols,et al. The Voice of Documentary , 1983 .
[15] Danah Boyd,et al. Social Network Sites: Definition, History, and Scholarship , 2007, J. Comput. Mediat. Commun..
[16] Dan Gillmor,et al. We the media - grassroots journalism by the people, for the people , 2006 .
[17] P. Laughren. Debating Australian Documentary Production Policy: Some Practitioner Perspectives , 2008 .
[18] Sophy Smith. The Creative Uses of Facebook as a Tool for Artistic Collaboration , 2009, EVA.
[19] John A. Banks,et al. Co-Creative Expertise: Auran Games and Fury — A Case Study , 2009 .
[20] Sally J. McMillan. Exploring Models of Interactivity from Multiple Research Traditions: Users, Documents, and Systems , 2002 .
[21] Craig Hight,et al. The field of digital documentary: a challenge to documentary theorists , 2008 .