Not all is noticed: Kinematic cues of emotion-specific gait.

Perceiving emotions from gait can serve numerous socio-environmental functions (e.g. perceiving threat, sexual courting behaviours). Participant perceivers were asked to report their strategies for identifying happiness, sadness, anger and fear in point-light walkers. Perceivers claimed they identified happiness by a bouncing gait with increased arm movement, sadness by a slow slouching gait, anger by a fast stomping gait and fear by both fast and slow gaits. The emotion-specific point-light walker stimuli were kinematically analysed to verify the presence of the gait cues perceivers reported using to identify each emotion. Happy and angry walkers both displayed long strides with increased arm movement though angry strides had a faster cadence. Fearful walkers walked with fast short strides reminiscent of a scurrying gait. Sad walkers walked with slow short strides consequently creating the slowest walking pace. However, fearful and sad walkers showed less arm movement in their gait in different ways. Sad walkers moved their entire arms whilst fearful walkers primarily moved their lower arms throughout their gait.

[1]  Christian Kroos,et al.  Walking my way? Walker gender and display format Confounds the perception of specific emotions. , 2017, Human movement science.

[2]  G. Johansson Visual perception of biological motion and a model for its analysis , 1973 .

[3]  N. Troje Decomposing biological motion: a framework for analysis and synthesis of human gait patterns. , 2002, Journal of vision.

[4]  P. Ekman,et al.  Facial Expressions of Emotion , 1979 .

[5]  Armin Bruderlin,et al.  Perceiving affect from arm movement , 2001, Cognition.

[6]  Shigeru Akamatsu,et al.  Dynamic Properties Influence the Perception of Facial Expressions , 2001, Perception.

[7]  Ludovic Hoyet,et al.  Exploring the Effect of Motion Type and Emotions on the Perception of Gender in Virtual Humans , 2015, ACM Trans. Appl. Percept..

[8]  S. Lea,et al.  Perception of Emotion from Dynamic Point-Light Displays Represented in Dance , 1996, Perception.

[9]  W. Sato,et al.  BRIEF REPORT The dynamic aspects of emotional facial expressions , 2004 .

[10]  J. Montepare,et al.  The identification of emotions from gait information , 1987 .

[11]  Atsuo Takanishi,et al.  Perception of emotion and emotional intensity in humanoid robots gait , 2013, 2013 IEEE International Conference on Robotics and Biomimetics (ROBIO).

[12]  J. Cooke,et al.  Kinematics of arm movements in elderly humans , 1989, Neurobiology of Aging.

[13]  Shaun Halovic Perceiving emotions through the kinematics of gait and the influence of adaptation aftereffects , 2010 .

[14]  J. Gross,et al.  Emotion elicitation using films , 1995 .

[15]  J. McIntyre,et al.  Kinematic and dynamic processes for the control of pointing movements in humans revealed by short-term exposure to microgravity , 2005, Neuroscience.

[16]  A. Young,et al.  Emotion Perception from Dynamic and Static Body Expressions in Point-Light and Full-Light Displays , 2004, Perception.

[17]  B. Tabachnick,et al.  Using Multivariate Statistics , 1983 .

[18]  F. Winkel,et al.  Victim precipitation: Some fresh evidence on nonverbally mediated perceptions of vulnerability , 1997 .

[19]  Heinrich H. Bülthoff,et al.  Eye Height Manipulations: A Possible Solution to Reduce Underestimation of Egocentric Distances in Head-Mounted Displays , 2015, TAP.

[20]  O. Lipp,et al.  Emotional faces in neutral crowds: Detecting displays of anger, happiness, and sadness on schematic and photographic images of faces , 2009 .

[21]  Cezary Biele,et al.  Sex differences in perception of emotion intensity in dynamic and static facial expressions , 2006, Experimental Brain Research.

[22]  T. Flash,et al.  Expression of emotion in the kinematics of locomotion , 2012, Experimental Brain Research.

[23]  N. Troje,et al.  Embodiment of Sadness and Depression—Gait Patterns Associated With Dysphoric Mood , 2009, Psychosomatic medicine.

[24]  M. Shiffrar,et al.  The visual analysis of emotional actions , 2006, Social neuroscience.

[25]  Ralph Adolphs,et al.  Perception and Emotion , 2006 .

[26]  M. Lemke,et al.  Spatiotemporal gait patterns during over ground locomotion in major depression compared with healthy controls. , 2000, Journal of psychiatric research.

[27]  Claire L. Roether,et al.  Critical features for the perception of emotion from gait. , 2009, Journal of vision.

[28]  James J. Gross,et al.  When Emotion Goes Wrong: Realizing the Promise of Affective Science , 2003 .

[29]  Christopher Kirtley,et al.  Clinical Gait Analysis: Theory and Practice , 2006 .

[30]  N. Troje,et al.  Person identification from biological motion: Effects of structural and kinematic cues , 2005, Perception & psychophysics.

[31]  A. Schmitt,et al.  Walking fast-ranking high: A sociobiological perspective on pace , 1995 .

[32]  Jaimie Arona Krems,et al.  Is She Angry? (Sexually Desirable) Women “See” Anger on Female Faces , 2015, Psychological science.

[33]  Lucy Johnston,et al.  Victim Selection and Kinematics: A Point-Light Investigation of Vulnerability to Attack , 2002 .

[34]  Barbara Anne Dosher,et al.  Task precision at transfer determines specificity of perceptual learning. , 2009, Journal of vision.

[35]  Michelle Karg,et al.  A Two-fold PCA-Approach for Inter-Individual Recognition of Emotions in Natural Walking , 2009, MLDM Posters.

[36]  C. Darwin The Expression of the Emotions in Man and Animals , .

[37]  R. D. Walk,et al.  Emotion and dance in dynamic light displays , 1984 .