Recurrent timing nets for auditory scene analysis

We have recently proposed neural timing networks that operate on temporal fine structure of inputs to build up and separate periodic signals with different fundamental periods (Neural Networks, 14: 737-753, 2001). Simple recurrent nets consist of arrays of coincidence detectors fed by common input lines and conduction delay loops of different recurrence times. Short-term facilitation amplifies correlations between input and loop signals to amplify periodic patterns and segregate those with different periods, thereby allowing constituent waveforms to be recovered. Timing nets constitute a new, general strategy for scene analysis that builds up correlational invariances rather than feature-based labeling, segregation and binding of channels.

[1]  Ralph R. Miller,et al.  The Role of Time in Elementary Associations , 1993 .

[2]  Q. Summerfield,et al.  Modeling the perception of concurrent vowels: vowels with different fundamental frequencies. , 1990, The Journal of the Acoustical Society of America.

[3]  J. Licklider,et al.  A duplex theory of pitch perception , 1951, Experientia.

[4]  Shihab Shamma,et al.  Auditory Representations of Timbre and Pitch , 1996 .

[5]  S. Grossberg,et al.  The Adaptive Brain , 1990 .

[6]  R Meddis,et al.  Modeling the identification of concurrent vowels with different fundamental frequencies. , 1992, The Journal of the Acoustical Society of America.

[7]  John G. Taylor,et al.  Self-organization in the time domain , 1998 .

[8]  Peter A. Cariani,et al.  Neural timing nets , 2001, Neural Networks.

[9]  Peter Cariani,et al.  Transient changes in neural discharge patterns may enhance the separation of concurrent vowels with different fundamental frequencies , 1994 .

[10]  E. John,et al.  Foundations of Cognitive Processes , 1977 .

[11]  Albert S. Bregman,et al.  The Auditory Scene. (Book Reviews: Auditory Scene Analysis. The Perceptual Organization of Sound.) , 1990 .

[12]  P. Cariani Temporal Coding of Periodicity Pitch in the Auditory System: An Overview , 1999, Neural plasticity.

[13]  Peter Cariani,et al.  Temporal Codes, Timing Nets, and Music Perception , 2001 .

[14]  M. R. Jones,et al.  Time, our lost dimension: toward a new theory of perception, attention, and memory. , 1976, Psychological review.

[15]  W. Hartmann Pitch Perception and the Segregation and Integration of Auditory Entities , 1988 .

[16]  R. Meddis,et al.  A unitary model of pitch perception. , 1997, The Journal of the Acoustical Society of America.

[17]  Q Summerfield,et al.  Perception of concurrent vowels: effects of harmonic misalignment and pitch-period asynchrony. , 1991, The Journal of the Acoustical Society of America.

[18]  B. Delgutte,et al.  Neural correlates of the pitch of complex tones. II. Pitch shift, pitch ambiguity, phase invariance, pitch circularity, rate pitch, and the dominance region for pitch. , 1996, Journal of neurophysiology.

[19]  Koch Sigmund Ed,et al.  Psychology: A Study of A Science , 1962 .

[20]  Y Wang,et al.  On representing signals using only timing information. , 2001, The Journal of the Acoustical Society of America.

[21]  Guy J. Brown,et al.  Separation of speech from interfering sounds based on oscillatory correlation , 1999, IEEE Trans. Neural Networks.

[22]  Ray Meddis,et al.  Virtual pitch and phase sensitivity of a computer model of the auditory periphery , 1991 .

[23]  Gerald Langner,et al.  Periodicity coding in the auditory system , 1992, Hearing Research.

[24]  A de Cheveigné Waveform interactions and the segregation of concurrent vowels. , 1999, The Journal of the Acoustical Society of America.

[25]  Richard F. Lyon,et al.  On the importance of time—a temporal representation of sound , 1993 .

[26]  B. Delgutte,et al.  Neural correlates of the pitch of complex tones. I. Pitch and pitch salience. , 1996, Journal of neurophysiology.

[27]  R. Patterson,et al.  Time-domain modeling of peripheral auditory processing: a modular architecture and a software platform. , 1995, The Journal of the Acoustical Society of America.

[28]  R B Gardner,et al.  Mistuning a harmonic of a vowel: grouping and phase effects on vowel quality. , 1986, The Journal of the Acoustical Society of America.

[29]  A. R. Palmer,et al.  Segregation of the Responses to Paired Vowels in the Auditory Nerve of the Guinea-Pig Using Autocorrelation , 1992 .

[30]  Paul Fraisse,et al.  TIME AND RHYTHM PERCEPTION , 1978 .