Foundations for Reliable and Flexible Interactive Multimedia Scores

Interactive Scores (IS) is a formalism for composing and performing interactive multimedia scores with several applications in video games, live performance installations, and virtual museums. The composer defines the temporal organization of the score by asserting temporal relations (TRs) between temporal objects (TOs). At execution time, the performer may modify the start/stop times of the TOs by triggering interaction points and the system guarantees that all the TRs are satisfied. Implementations of IS and formal models of their behavior have already been proposed, but these do not provide usable means to reason about their properties. In this paper we introduce ReactiveIS, a programming language that fully captures the temporal structure of IS during both composition and execution. For that, we propose a semantics based on tree-like structures representing the execution state of the score at each point in time. The semantics captures the hierarchical aspects of IS and provides an intuitive representation of their execution. We also endow ReactiveIS with a logical semantics based on linear logic, thus widening the reasoning techniques available for IS. We show that ReactiveIS is general enough to capture the full behavior of IS and it also provides declarative ways to increase the expressivity of IS with, for instance, conditional statements and loops.

[1]  Nobuko Yoshida,et al.  Compositional Choreographies , 2013, CONCUR.

[2]  Camilo Rueda,et al.  A Declarative Language for Dynamic Multimedia Interaction Systems , 2009 .

[3]  JEAN-MARC ANDREOLI,et al.  Logic Programming with Focusing Proofs in Linear Logic , 1992, J. Log. Comput..

[4]  Elaine Pimentel,et al.  A General Proof System for Modalities in Concurrent Constraint Programming , 2013, CONCUR.

[5]  Myriam Desainte-Catherine,et al.  VIRAGE : DESIGNING AN INTERACTIVE INTERMEDIA SEQUENCER FROM USERS REQUIREMENTS AND THEORETICAL BACKGROUND , 2010 .

[6]  Manfred Broy Engineering Theories of Software Intensive Systems , 2005 .

[7]  U. Rennes Real-Time Temporal Control of Musical Processes , 2011 .

[8]  Kien A. Hua,et al.  VideoGraph: A Graphical Object-Based Model for Representing and Querying Video Data , 2000, ER.

[9]  A Lyons,et al.  International Computer Music Conference , 2013 .

[10]  Patrick Lincoln,et al.  Linear logic , 1992, SIGA.

[11]  Camilo Rueda,et al.  Formal semantics for interactive music scores: a framework to design, specify properties and execute interactive scenarios , 2014 .

[12]  Myriam Desainte-Catherine,et al.  Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation , 2013, Computer Music Journal.

[13]  Tony Hoare,et al.  A Tree Semantics of an Orchestration Language , 2005 .

[14]  Pierre de Saqui-Sannes,et al.  Hierarchical Time Stream Petri Net: A Model for Hypermedia Systems , 1995, Application and Theory of Petri Nets.

[15]  M. Nivat Fiftieth volume of theoretical computer science , 1988 .

[16]  Vincent Danos,et al.  The Structure of Exponentials: Uncovering the Dynamics of Linear Logic Proofs , 1993, Kurt Gödel Colloquium.