Fallout fans: Negotiations over text integrity in the age of the active audience

[1]  N. Baym.  Tune In, Log On: Soaps, Fandom, and Online Community , 1999 .

[2]  J. Newman.  PLAYING WITH VIDEOGAMES , 2008 .

[3]  Pierre Lévy,et al.  Collective Intelligence: Mankind's Emerging World in Cyberspace , 1997 .

[4]  Eugenia Siapera,et al.  From couch potatoes to cybernauts? The expanding notion of the audience on TV channels’ websites , 2004, New Media Soc..

[5]  Olli Sotamaa,et al.  Let Me Take You to The Movies , 2007 .

[6]  Henry Jenkins.  Fans, Bloggers, and Gamers: Exploring Participatory Culture , 2006 .

[7]  H. Lowood.  Storyline, Dance/Music, or PvP? , 2006, Games Cult..

[8]  M. Consalvo.  Cyber-Slaying Media Fans: Code, Digital Poaching, and Corporate Control of the Internet , 2003 .

[9]  Henrik Örnebring,et al.  Alternate reality gaming and convergence culture , 2007 .

[10]  M. Consalvo.  Zelda 64 and Video Game Fans , 2003 .

[11]  Garry Crawford,et al.  Playing the game: performance in digital game audiences , 2007 .

[12]  Ross MacDonald,et al.  Play between Worlds: Exploring Online Game Culture , 2007 .

[13]  C. Lee Harrington,et al.  Fandom: Identities and communities in a mediated world (second edition) , 2007 .

[14]  P. Bourdieu.  Distinction: A Social Critique of the Judgement of Taste* , 2018, Food and Culture.

[15]  Tiziana Terranova.  Free Labor: Producing Culture for the Digital Economy , 2000 .

[16]  Robert D. McPhee,et al.  Organizational Structures and Configurations , 2001 .

[17]  G. DeSanctis,et al.  Electronic Communication and Changing Organizational Forms , 1995 .

[18]  Vic Costello,et al.  Cultural Outlaws , 2007 .

[19]  Paul Théberge.  Everyday Fandom: Fan Clubs, Blogging, and the Quotidian Rhythms of the Internet , 2006 .

[20]  Mark Andrejevic,et al.  Watching Television Without Pity , 2008 .

[21]  Hector Postigo.  From Pong to Planet Quake: Post-Industrial Transitions from Leisure to Work , 2003 .

[22]  Melissa C. Scardaville.  Accidental Activists , 2005 .

[23]  J. Gray.  Antifandom and the Moral Text , 2005 .

[24]  J. Gray,et al.  New Audiences, New Textualities , 2003 .

[25]  Sal Humphreys,et al.  Productive Players: Online Computer Games' Challenge to Conventional Media Forms , 2005 .

[26]  Beth E. Kolko,et al.  Boundary Spaces , 2003 .

[27]  Henry C. Lucas,et al.  The Role of Information Technology in Organization Design , 1994, J. Manag. Inf. Syst..

[28]  K. Tracy,et al.  Discourse Analysis in Communication , 2005 .

[29]  Elana Shefrin.  Lord of the Rings, Star Wars, and participatory fandom: mapping new congruencies between the internet and media entertainment culture , 2004 .

[30]  Thomas R. Lindlof.  Qualitative Communication Research Methods , 1994 .

[31]  Cory Ondrejka.  Finding Common Ground in New Worlds , 2006 .

[32]  B. Webber.  The Handbook of Discourse Analysis , 2005 .

[33]  Sara M. Grimes,et al.  Online multiplayer games: a virtual space for intellectual property debates? , 2006, New Media Soc..

[34]  Peter F. Drucker,et al.  The Coming of the New Organization , 2001 .

[35]  P. Drucker.  The Age of Social Transformation , 1994 .

[36]  Hector Postigo,et al.  Video Game Appropriation through Modifications , 2008 .

[37]  C. Soukup.  Hitching a Ride on a Star: Celebrity, Fandom, and Identification on the World Wide Web , 2006 .

[38]  Julian R. Kücklich,et al.  Precarious Playbour: Modders and the Digital Games Industry , 2005 .

[39]  S. Herring.  Computer‐Mediated Discourse , 2005 .

[40]  Sal Humphreys,et al.  The Labour of User Co-Creators , 2008 .

[41]  Thomas E. Ruggiero.  Uses and Gratifications Theory in the 21st Century , 2000 .

[42]  R. Rice,et al.  New Media and Organizational Structuring , 2001 .

[43]  C. Sandvoss.  Fans: The Mirror of Consumption , 2005 .

[44]  T. V. Dijk.  The Study of Discourse , 1997 .

[45]  T. L. Taylor,et al.  Beyond Management: Considering Participatory Design and Governance in Player Culture , 2006, First Monday.

[46]  Joanna Demers.  Dancing machines: ‘Dance Dance Revolution’, cybernetic dance, and musical taste , 2006, Popular Music.

[47]  Christine R. Yano.  Charisma's Realm: Fandom in Japan , 1997 .

[48]  S. Murray.  ‘Celebrating the story the way it is’: cultural studies, corporate media and the contested utility of fandom , 2004 .

[49]  C. Sandvoss,et al.  Why study Fans , 2007 .