Transmodal Sensorimotor Networks during Action Observation in Professional Pianists

Audiovisual perception and imitation are essential for musical learning and skill acquisition. We compared professional pianists to musically naive controls with fMRI while observing piano playing fingerhand movements and serial fingerthumb opposition movements both with and without synchronous piano sound. Pianists showed stronger activations within a fronto-parieto-temporal network while observing piano playing compared to controls and contrasted to perception of serial fingerthumb opposition movements. Observation of silent piano playing additionally recruited auditory areas in pianists. Perception of piano sounds coupled with serial fingerthumb opposition movements evoked increased activation within the sensorimotor network. This indicates specialization of multimodal auditory sensorimotor systems within a fronto-parieto-temporal network by professional musical training. Musical language, which is acquired by observation and imitation, seems to be tightly coupled to this network in accord with an observation execution system linking visual and auditory perception to motor performance.

[1]  R. Passingham,et al.  Seeing or Doing? Influence of Visual and Motor Familiarity in Action Observation , 2006, Current Biology.

[2]  C. Keysers,et al.  Empathy and the Somatotopic Auditory Mirror System in Humans , 2006, Current Biology.

[3]  Hans-Jochen Heinze,et al.  Shared networks for auditory and motor processing in professional pianists: Evidence from fMRI conjunction , 2006, NeuroImage.

[4]  M. Brass,et al.  Imitation: is cognitive neuroscience solving the correspondence problem? , 2005, Trends in Cognitive Sciences.

[5]  Robert J. Zatorre,et al.  Mental Concerts: Musical Imagery and Auditory Cortex , 2005, Neuron.

[6]  Volkmar Glauche,et al.  The human action recognition system and its relationship to Broca’s area: an fMRI study , 2003, NeuroImage.

[7]  R. E Passingham,et al.  Activations related to “mirror” and “canonical” neurones in the human brain: an fMRI study , 2003, NeuroImage.

[8]  Thomas R. Barrick,et al.  Voxel-Based Morphometry Reveals Increased Gray Matter Density in Broca's Area in Male Symphony Orchestra Musicians , 2002, NeuroImage.

[9]  G. Rizzolatti,et al.  Hearing Sounds, Understanding Actions: Action Representation in Mirror Neurons , 2002, Science.

[10]  M. Scherg,et al.  Morphology of Heschl's gyrus reflects enhanced activation in the auditory cortex of musicians , 2002, Nature Neuroscience.

[11]  Thomas E. Nichols,et al.  Thresholding of Statistical Maps in Functional Neuroimaging Using the False Discovery Rate , 2002, NeuroImage.

[12]  J C Mazziotta,et al.  Reafferent copies of imitated actions in the right superior temporal cortex , 2001, Proceedings of the National Academy of Sciences of the United States of America.

[13]  G. Rizzolatti,et al.  The Cortical Motor System , 2001, Neuron.

[14]  N. A. Borghese,et al.  Different Brain Correlates for Watching Real and Virtual Hand Actions , 2001, NeuroImage.

[15]  S. Iversen,et al.  Detection of Audio-Visual Integration Sites in Humans by Application of Electrophysiological Criteria to the BOLD Effect , 2001, NeuroImage.

[16]  G. Rizzolatti,et al.  I Know What You Are Doing A Neurophysiological Study , 2001, Neuron.

[17]  E Altenmüller,et al.  On Practice: How the Brain Connects Piano Keys and Piano Sounds , 2001, Annals of the New York Academy of Sciences.

[18]  J. Decety,et al.  Functional anatomy of execution, mental simulation, observation, and verb generation of actions: A meta‐analysis , 2001, Human brain mapping.

[19]  K. Amunts,et al.  Broca's region subserves imagery of motion: A combined cytoarchitectonic and fMRI study , 2000, Human brain mapping.

[20]  T. Allison,et al.  Social perception from visual cues: role of the STS region , 2000, Trends in Cognitive Sciences.

[21]  R. Campbell,et al.  Evidence from functional magnetic resonance imaging of crossmodal binding in the human heteromodal cortex , 2000, Current Biology.

[22]  R. Hari,et al.  Temporal dynamics of cortical representation for action. , 2000, Proceedings of the National Academy of Sciences of the United States of America.

[23]  J. Mazziotta,et al.  Cortical mechanisms of human imitation. , 1999, Science.

[24]  R. Zatorre,et al.  When that tune runs through your head: a PET investigation of auditory imagery for familiar melodies. , 1999, Cerebral cortex.

[25]  J. Decety,et al.  The effects of learning and intention on the neural network involved in the perception of meaningless actions. , 1999, Brain : a journal of neurology.

[26]  A. Schleicher,et al.  Broca's region revisited: Cytoarchitecture and intersubject variability , 1999, The Journal of comparative neurology.

[27]  R. J. Seitz,et al.  A fronto‐parietal circuit for object manipulation in man: evidence from an fMRI‐study , 1999, The European journal of neuroscience.

[28]  Alan C. Evans,et al.  Morphology, morphometry and probability mapping of the pars opercularis of the inferior frontal gyrus: an in vivo MRI analysis , 1999, The European journal of neuroscience.

[29]  G. Rizzolatti,et al.  Activation of human primary motor cortex during action observation: a neuromagnetic study. , 1998, Proceedings of the National Academy of Sciences of the United States of America.

[30]  A. Goldman,et al.  Mirror neurons and the simulation theory of mind-reading , 1998, Trends in Cognitive Sciences.

[31]  R. Cabeza,et al.  Analysis of neural interactions explains the activation of occipital cortex by an auditory stimulus. , 1998, Journal of neurophysiology.

[32]  R. Passingham,et al.  The preparation, execution and suppression of copied movements in the human brain , 1998, Experimental Brain Research.

[33]  M. Arbib,et al.  Language within our grasp , 1998, Trends in Neurosciences.

[34]  G. Rizzolatti,et al.  The organization of the cortical motor system: new concepts. , 1998, Electroencephalography and clinical neurophysiology.

[35]  R. Oostenveld,et al.  Increased auditory cortical representation in musicians , 1998, Nature.

[36]  Alan C. Evans,et al.  Functional anatomy of musical processing in listeners with absolute pitch and relative pitch. , 1998, Proceedings of the National Academy of Sciences of the United States of America.

[37]  E. Procyk,et al.  Brain activity during observation of actions. Influence of action content and subject's strategy. , 1997, Brain : a journal of neurology.

[38]  E. Bullmore,et al.  Activation of auditory cortex during silent lipreading. , 1997, Science.

[39]  Scott T. Grafton,et al.  Localization of grasp representations in humans by positron emission tomography , 1996, Experimental Brain Research.

[40]  G. Rizzolatti,et al.  Localization of grasp representations in humans by PET: 1. Observation versus execution , 1996, Experimental Brain Research.

[41]  D. Perrett,et al.  Integration of form and motion in the anterior superior temporal polysensory area (STPa) of the macaque monkey. , 1996, Journal of neurophysiology.

[42]  Alan C. Evans,et al.  Specific Involvement of Human Parietal Systems and the Amygdala in the Perception of Biological Motion , 1996, The Journal of Neuroscience.

[43]  G. Rizzolatti,et al.  Action recognition in the premotor cortex. , 1996, Brain : a journal of neurology.

[44]  G. Rizzolatti,et al.  Premotor cortex and the recognition of motor actions. , 1996, Brain research. Cognitive brain research.

[45]  B. Rockstroh,et al.  Increased Cortical Representation of the Fingers of the Left Hand in String Players , 1995, Science.

[46]  J. Staiger,et al.  Increased corpus callosum size in musicians , 1995, Neuropsychologia.

[47]  M. Arbib,et al.  Grasping objects: the cortical mechanisms of visuomotor transformation , 1995, Trends in Neurosciences.

[48]  G. Rizzolatti,et al.  Motor facilitation during action observation: a magnetic stimulation study. , 1995, Journal of neurophysiology.

[49]  G. Schlaug,et al.  In vivo evidence of structural brain asymmetry in musicians , 1995, Science.

[50]  J. Mazziotta,et al.  Mapping motor representations with positron emission tomography , 1994, Nature.

[51]  J Sergent,et al.  Distributed neural network underlying musical sight-reading and keyboard performance. , 1992, Science.

[52]  D I Perrett,et al.  Frameworks of analysis for the neural representation of animate objects and actions. , 1989, The Journal of experimental biology.

[53]  L. Leinonen,et al.  II. Functional properties of cells in anterolateral part of area 7 associative face area of awake monkeys , 1979, Experimental Brain Research.

[54]  R. C. Oldfield The assessment and analysis of handedness: the Edinburgh inventory. , 1971, Neuropsychologia.

[55]  L. Sobin,et al.  CO-PLANAR STEREOTAXIC ATLAS OF THE HUMAN BRAIN 3-DIMENSIONAL PROPORTIONAL SYSTEM: AN APPROACH TO CEREBRAL IMAGING 1988 GUIDE TO THE TNM/pTNM-CLASSIFICATION OF MALIGNANT TUMOURS THIRD EDITION , 2007 .

[56]  G. Rizzolatti,et al.  Understanding motor events: a neurophysiological study , 2004, Experimental Brain Research.

[57]  G. Rizzolatti,et al.  Action observation activates premotor and parietal areas in a somatotopic manner: an fMRI study , 2001, The European journal of neuroscience.

[58]  A. Schleicher,et al.  Motor cortex and hand motor skills: Structural compliance in the human brain , 1997, Human brain mapping.

[59]  Alan C. Evans,et al.  Hearing in the Mind's Ear: A PET Investigation of Musical Imagery and Perception , 1996, Journal of Cognitive Neuroscience.

[60]  R. Passingham,et al.  Functional anatomy of the mental representation of upper extremity movements in healthy subjects. , 1995, Journal of neurophysiology.

[61]  Karl J. Friston,et al.  Statistical parametric maps in functional imaging: A general linear approach , 1994 .

[62]  R. C. Oldfield THE ASSESSMENT AND ANALYSIS OF HANDEDNESS , 1971 .