Auditory-Motor Expertise Alters “Speech Selectivity” in Professional Musicians and Actors
暂无分享,去创建一个
[1] R. Passingham,et al. Seeing or Doing? Influence of Visual and Motor Familiarity in Action Observation , 2006, Current Biology.
[2] Mark D'Esposito,et al. Repetition Suppression and Reactivation in Auditory–Verbal Short-Term Recognition Memory , 2008, Cerebral cortex.
[3] J. Obleser,et al. Expectancy constraints in degraded speech modulate the language comprehension network. , 2010, Cerebral cortex.
[4] Sian L. Beilock,et al. Sports experience changes the neural processing of action language , 2008, Proceedings of the National Academy of Sciences.
[5] Guillaume Thierry,et al. Hemispheric Dissociation in Access to the Human Semantic System , 2003, Neuron.
[6] S. Koelsch. Neural substrates of processing syntax and semantics in music , 2005, Current Opinion in Neurobiology.
[7] G. Schlaug,et al. Brain structures differ between musicians and non-musician , 2001, NeuroImage.
[8] Roland Sparing,et al. The dorsal premotor cortex orchestrates concurrent speech and fingertapping movements , 2009, The European journal of neuroscience.
[9] Sophie K. Scott,et al. A little more conversation, a little less action — candidate roles for the motor cortex in speech perception , 2009, Nature Reviews Neuroscience.
[10] Gottfried Schlaug,et al. Musicians Differ from Nonmusicians in Brain Activation despite Performance Matching , 2003, Annals of the New York Academy of Sciences.
[11] C. Price. The anatomy of language: a review of 100 fMRI studies published in 2009 , 2010, Annals of the New York Academy of Sciences.
[12] Kenneth Hugdahl,et al. Detection of differential speech‐specific processes in the temporal lobe using fMRI and a dynamic “sound morphing” technique , 2009, Human brain mapping.
[13] N. Kanwisher,et al. The Fusiform Face Area: A Module in Human Extrastriate Cortex Specialized for Face Perception , 1997, The Journal of Neuroscience.
[14] R. Zatorre,et al. Structure and function of auditory cortex: music and speech , 2002, Trends in Cognitive Sciences.
[15] J. A. Frost,et al. Function of the left planum temporale in auditory and linguistic processing , 1996, NeuroImage.
[16] Stephen A. Engel,et al. Engagement of Fusiform Cortex and Disengagement of Lateral Occipital Cortex in the Acquisition of Radiological Expertise , 2009, Cerebral cortex.
[17] R. Passingham,et al. Action observation and acquired motor skills: an FMRI study with expert dancers. , 2005, Cerebral cortex.
[18] T. Ohnishi,et al. Functional anatomy of musical perception in musicians , 2001, NeuroImage.
[19] P. Matthews,et al. Defining a left-lateralized response specific to intelligible speech using fMRI. , 2003, Cerebral cortex.
[20] Alan C. Evans,et al. Neuroanatomical correlates of musicianship as revealed by cortical thickness and voxel-based morphometry. , 2009, Cerebral cortex.
[21] R. Zatorre,et al. When the brain plays music: auditory–motor interactions in music perception and production , 2007, Nature Reviews Neuroscience.
[22] Alan C. Evans,et al. Neural mechanisms underlying melodic perception and memory for pitch , 1994, The Journal of neuroscience : the official journal of the Society for Neuroscience.
[23] C. Price,et al. Speech-specific auditory processing: where is it? , 2005, Trends in Cognitive Sciences.
[24] E. T. Possing,et al. Human temporal lobe activation by speech and nonspeech sounds. , 2000, Cerebral cortex.
[25] S. Scott,et al. The neuroanatomical and functional organization of speech perception , 2003, Trends in Neurosciences.
[26] I. Gauthier,et al. Computational approaches to the development of perceptual expertise , 2004, Trends in Cognitive Sciences.
[27] Jonas Obleser,et al. Disentangling syntax and intelligibility in auditory language comprehension , 2009, Human brain mapping.
[28] G. Rizzolatti,et al. Neural Circuits Underlying Imitation Learning of Hand Actions An Event-Related fMRI Study , 2004, Neuron.
[29] Karl J. Friston,et al. Statistical parametric maps in functional imaging: A general linear approach , 1994 .
[30] K. Kiehl,et al. Detection of Sounds in the Auditory Stream: Event-Related fMRI Evidence for Differential Activation to Speech and Nonspeech , 2001, Journal of Cognitive Neuroscience.
[31] Anders M. Dale,et al. Cortical Surface-Based Analysis I. Segmentation and Surface Reconstruction , 1999, NeuroImage.
[32] Michael J. Carey,et al. A comparison of features for speech, music discrimination , 1999, 1999 IEEE International Conference on Acoustics, Speech, and Signal Processing. Proceedings. ICASSP99 (Cat. No.99CH36258).
[33] Conny F. Schmidt,et al. A network for audio–motor coordination in skilled pianists and non-musicians , 2007, Brain Research.
[34] Lutz Jäncke,et al. Functional anatomy of pitch memory—an fMRI study with sparse temporal sampling , 2003, NeuroImage.
[35] Ingrid S. Johnsrude,et al. Illusory Vowels Resulting from Perceptual Continuity: A Functional Magnetic Resonance Imaging Study , 2008, Journal of Cognitive Neuroscience.
[36] Mikko Sams,et al. Perceiving identical sounds as speech or non-speech modulates activity in the left posterior superior temporal sulcus , 2006, NeuroImage.
[37] R. Zatorre,et al. Voice-selective areas in human auditory cortex , 2000, Nature.
[38] Jeffrey R. Binder,et al. Left Posterior Temporal Regions are Sensitive to Auditory Categorization , 2008, Journal of Cognitive Neuroscience.
[39] Stefan Koelsch,et al. Comparing the Processing of Music and Language Meaning Using EEG and fMRI Provides Evidence for Similar and Distinct Neural Representations , 2008, PloS one.
[40] K. A. Ericsson,et al. Maintaining excellence: deliberate practice and elite performance in young and older pianists. , 1996, Journal of experimental psychology. General.
[41] Erich Schröger,et al. From Air Oscillations to Music and Speech: Functional Magnetic Resonance Imaging Evidence for Fine-Tuned Neural Networks in Audition , 2006, The Journal of Neuroscience.
[42] M. Iacoboni,et al. Listening to speech activates motor areas involved in speech production , 2004, Nature Neuroscience.
[43] R. Zatorre,et al. Listening to musical rhythms recruits motor regions of the brain. , 2008, Cerebral cortex.
[44] Vinod Menon,et al. Musical structure is processed in “language” areas of the brain: a possible role for Brodmann Area 47 in temporal coherence , 2003, NeuroImage.
[45] E. Saltzman,et al. Action Representation of Sound: Audiomotor Recognition Network While Listening to Newly Acquired Actions , 2007, The Journal of Neuroscience.
[46] J. Rauschecker,et al. Brain Activation during Anticipation of Sound Sequences , 2009, The Journal of Neuroscience.
[47] Kristen A. Lindgren,et al. Effective and Structural Connectivity in the Human Auditory Cortex , 2008, The Journal of Neuroscience.
[48] Ferath Kherif,et al. The Main Sources of Intersubject Variability in Neuronal Activation for Reading Aloud , 2009, Journal of Cognitive Neuroscience.
[49] K. Müller,et al. Functional architecture of verbal and tonal working memory: An FMRI study , 2009, Human brain mapping.
[50] Stuart Rosen,et al. A positron emission tomography study of the neural basis of informational and energetic masking effects in speech perception. , 2004, The Journal of the Acoustical Society of America.
[51] Patrick C M Wong,et al. Selective neurophysiologic responses to music in instrumentalists with different listening biographies , 2009, Human brain mapping.
[52] Lori L. Holt,et al. Expertise with Artificial Nonspeech Sounds Recruits Speech-Sensitive Cortical Regions , 2009, The Journal of Neuroscience.