Additive Archaeology: An Alternative Framework for Recontextualising Archaeological Entities
暂无分享,去创建一个
[1] Alfred Gell,et al. Art and Agency: An Anthropological Theory , 1999 .
[2] Wojciech Matusik,et al. Spec2Fab , 2013, ACM Trans. Graph..
[3] David Kirsh. Comparing Tangible and Virtual Exploration of Archaeological Objects , 2010 .
[4] Karen Barad. Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter , 2003, Signs: Journal of Women in Culture and Society.
[5] Rein V Ulijn,et al. Molecular self-assembly: Best of both worlds. , 2015, Nature nanotechnology.
[6] B. Latour. Pandora's Hope: Essays on the Reality of Science Studies , 1999 .
[7] P. Reilly,et al. Palimpsests of Immaterial Assemblages Taken out of Context: Tracing Pompeians from the Void into the Digital , 2015 .
[8] Jeremy Huggett,et al. A Manifesto for an Introspective Digital Archaeology , 2015 .
[9] B. Alberti. Archaeology After Interpretation , 2013 .
[10] M. Truscott,et al. Physical modeling of catchment area by rapid prototyping using GIS data , 2006 .
[11] Victor Buchli. Presencing the Im-Material , 2010 .
[12] Geert Willems,et al. New Visualization Techniques for Cuneiform Texts and Sealings , 2011 .
[13] Paola Di Giuseppantonio Di Franco,et al. 3D Printing and Immersive Visualization for Improved Perception of Ancient Artifacts , 2015, PRESENCE: Teleoperators and Virtual Environments.
[14] Christopher L. Witmore. Prolegomena to Open Pasts: On Archaeological Memory Practices , 2009 .
[15] B. Latour. Science in Action , 1987 .
[16] Jeremy Huggett,et al. Disciplinary issues: challenging the research and practice of computer applications in archaeology , 2013 .
[17] V. Buchli. The prototype: presencing the immaterial , 2010 .
[18] S. Jeffrey. Challenging Heritage Visualisation: Beauty, Aura and Democratisation , 2015 .
[19] Hembo Pagi,et al. Reflectance Transformation Imaging Systems for Ancient Documentary Artefacts , 2011, EVA.
[20] Gavin Lucas. Understanding the Archaeological Record: Understanding the Archaeological Record , 2012 .
[21] C. Fowler. Dynamic assemblages, or the past is what endures: change and the duration of relations , 2014 .
[22] Daniel Roy Eyers,et al. Additive manufacturing for archaeological reconstruction of a medieval ship , 2012 .
[23] Paul Reilly. Putting the materials back into Virtual Archaeology , 2015 .
[24] Neri Oxman,et al. Variable property rapid prototyping , 2011 .
[25] Hod Lipson,et al. Fabricated: The New World of 3D Printing , 2013 .
[26] G. Wayne Clough. Best of Both Worlds: Museums, Libraries, and Archives in a Digital Age , 2013 .
[27] David M. Berry,et al. Critical Theory and the Digital , 2014 .
[28] Hod Lipson,et al. Design and analysis of digital materials for physical 3D voxel printing , 2009 .
[29] Victor Buchli. ‘Materiality, Melancholy and Memory’ , 2010 .
[30] JOHN M. COLES,et al. The Past in the Present , 1966, Nature.
[31] F. Dussart. Art and Agency: An Anthropological Theory. , 2000 .
[32] Alfred Gell,et al. Art and agency : an anthropological theory , 1999 .
[33] Simone Wannemaker,et al. A New Philosophy Of Society Assemblage Theory And Social Complexity , 2016 .
[34] T. Sørensen,et al. Original copies: seriality, similarity and the simulacrum in the Early Bronze Age , 2012 .
[35] Jeremy Huggett,et al. Challenging Digital Archaeology , 2015 .
[36] A. Jones. Archaeological Theory and Scientific Practice , 2001 .
[37] Barbara Appelbaum,et al. Conservation treatment methodology , 2007 .