TheRingin Theory and Practice
暂无分享,去创建一个
[1] J. Pomposelli,et al. A Tale Full of Sound and Fury , 2021, Liver transplantation : official publication of the American Association for the Study of Liver Diseases and the International Liver Transplantation Society.
[2] Andreas Rauh. The Cambridge Companion to Music in Digital Culture. Edited by Nicholas Cook, Monique M. Ingalls and David Trippett. Cambridge: Cambridge University Press, 2019. 332 pp. ISBN 978-1-316-61407-5 , 2020, Popular Music.
[3] Lee K R Marshall. REVIEW | The Cambridge Companion to The Rolling Stones , 2020 .
[4] The Cambridge Companion to the Eroica Symphony , 2020 .
[5] The Cambridge Companion to Gershwin , 2019 .
[6] Mark Berry. Nietzsche and Wagner , 2019, The New Cambridge Companion to Nietzsche.
[7] Valeria De Lucca. Operetta in Italy , 2016, The Cambridge Companion to Operetta.
[8] A. W. Ursatz. A Wagnerian Ursatz; Or, Was Wagner a Background Composer after All? , 2019 .
[9] Matthew Baileyshea. Wagner's Loosely Knit Sentences and the Drama of Musical Form , 2019 .
[10] Gabi Böttcher. Zukunftsmusik , 2018, Sales Excellence.
[11] Volkhard Krech. Religion und Kunst , 2018 .
[12] M. Maduro. In the Spotlight , 2017, Reproductive Sciences.
[13] A. Davison. Hans Werner Henze and The Lost Honour of Katharina Blum , 2016 .
[14] Justin A. Williams,et al. The Cambridge companion to the singer-songwriter , 2016 .
[15] John Russell Hartenberger. The Cambridge companion to percussion , 2016 .
[16] S. Trezise. The Cambridge companion to French music , 2015 .
[17] E. Bronfen,et al. Broomhilda Unchained: Tarantino's Wagner , 2015 .
[18] Joshua S. Walden. The Cambridge companion to Jewish music , 2015 .
[19] T. Meissner. Richard Wagner , 2015, Heilberufe.
[20] Nicholas Vazsonyi. Reading Right from Left: Hans Mayer and Postwar Wagner Reception , 2014 .
[21] E. Kelly. Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music , 2014 .
[22] Mark Berry. Adorno’s Essay on Wagner: Rescuing an Inverted Panegyric , 2014 .
[23] Laurie McManus. Feminist Revolutionary Music Criticism and Wagner Reception: The Case of Louise Otto , 2014 .
[24] S. Huebner. Édouard Dujardin, Wagner, and the Origins of Stream of Consciousness Writing , 2013 .
[25] David Trippett. Wagner's Melodies: List of illustrations , 2013 .
[26] Kenneth Gloag,et al. The Cambridge companion to Michael Tippett , 2013 .
[27] D. Neuschwander. Music in the Third Reich , 2012 .
[28] Nicholas Till. The Cambridge Companion to Opera Studies , 2012 .
[29] Y. Maidment. Left in the dark , 2012, BDJ.
[30] David Trippett. ’Bayreuth in Miniature’: Wagner and the Melodramatic Voice , 2012 .
[31] Andrew K. Shenton. The Cambridge Companion to Arvo Pärt , 2012 .
[32] Mark Everist. The Cambridge Companion to Medieval Music , 2011 .
[33] Solveig M. Heinz. Brecht at the Opera , 2010 .
[34] S. Arvidsson. Greed and the Nature of Evil: Tolkien versus Wagner , 2010 .
[35] C. Youmans. The Cambridge companion to Richard Strauss , 2010 .
[36] J. Auner,et al. The cambridge companion to Schoenberg , 2010 .
[37] J. P. E. Harper-Scott. Medieval Romance and Wagner's Musical Narrative in the Ring , 2009 .
[38] T. Grey. Richard Wagner and His World , 2009 .
[39] Adrian Daub. “Hannah, Can You Hear Me?”—Chaplin’s Great Dictator, “Schtonk,” and the Vicissitudes of Voice , 2010 .
[40] D. Eden,et al. The Cambridge companion to Gilbert and Sullivan , 2009 .
[41] Adrian Daub. Mother Mime: Siegfried, the Fairy Tale, and the Metaphysics of Sexual Difference , 2008 .
[42] S. Žižek. Brünnhilde's Act , 2008 .
[43] J. Treadwell,et al. The urge to communicate: the prose writings as theory and practice , 2008 .
[44] A. Whittall,et al. Criticism and analysis: current perspectives , 2008 .
[45] T. Grey,et al. To the Dresden barricades: the genesis of Wagner's political ideas , 2008 .
[46] Stewart Spencer. The “Romantic operas” and the turn to myth , 2008 .
[47] Nila Parly. The Cry of the Valkyrie: Feminism and Corporality in the Copenhagen Ring , 2008 .
[48] Mark Berry. The Positive Influence of Wagner upon Nietzsche , 2008 .
[49] John Deathridge. Wagner Beyond Good and Evil , 2008 .
[50] T. Grey. The Cambridge companion to Wagner , 2008 .
[51] Nicholas Cook. The Schenker Project , 2007 .
[52] G. Hunt. David Lewin and Valhalla Revisited: New Approaches to Motivic Corruption in Wagner's Ring Cycle , 2007 .
[53] Richard Cohn. Hexatonic Poles and the Uncanny in Parsifal , 2007 .
[54] B. Perrey. The Cambridge companion to Schumann , 2007 .
[55] Marion Kant. The Cambridge companion to ballet , 2007 .
[56] J. Barham. The Cambridge Companion to Mahler , 2007 .
[57] S. Tyring,et al. Single-day therapy: an expert opinion on a recent development for the episodic treatment of recurrent genital herpes , 2006, Archives of Gynecology and Obstetrics.
[58] S. Keefe. The Cambridge companion to the concerto , 2005 .
[59] Mervyn Cooke. The Cambridge companion to twentieth-century opera , 2005 .
[60] Caryl Clark. The Cambridge Companion to Haydn , 2005 .
[61] J. Rushton,et al. The Cambridge companion to Elgar , 2005 .
[62] Howard Jones,et al. End of the Tunnel , 2004 .
[63] Udo Bermbach. Der Wahn des Gesamtkunstwerks , 2004 .
[64] Daniel M. Grimley. The Cambridge companion to Sibelius , 2004 .
[65] S. L. Balthazar. The Cambridge companion to Verdi , 2004 .
[66] E. Senici. The Cambridge companion to Rossini , 2004 .
[67] J. Parsons. The Cambridge companion to the Lied , 2004 .
[68] R. Scruton. Death-Devoted Heart , 2003 .
[69] P. Woods,et al. The politics of appropriation , 2003 .
[70] R. Stowell. The Cambridge Companion to the String Quartet , 2003 .
[71] M. Spitzer. Metaphor and Musical Thought , 2003 .
[72] S. Trezise. The Cambridge companion to Debussy , 2003 .
[73] David Charlton. The Cambridge companion to grand opera , 2003 .
[74] David W. Bernstein,et al. Nineteenth-century harmonic theory: the Austro-German legacy , 2002 .
[75] Thomas Christensen,et al. The Cambridge history of Western music theory , 2002 .
[76] G. Stanley. The Cambridge companion to Beethoven , 2000 .
[77] D. Borchmeyer,et al. Richard Wagner und die Juden , 2000 .
[78] Nicholas Thistlethwaite,et al. The Cambridge Companion to the Organ , 1999 .
[79] Richard Ingham,et al. The Cambridge companion to the saxophone , 1999 .
[80] David L. Rowland. The Cambridge Companion to the Piano , 1998 .
[81] B. Wood. Bodies of evidence , 1998, Nature.
[82] D. Pauly. The Total Work of Art , 2022 .
[83] J. Butt. The Cambridge Companion to Bach , 1997 .
[84] Laurence Dreyfus. Hermann Levi's shame and Parsifal's guilt: A critique of essentialism in biography and criticism , 1994, Cambridge Opera Journal.
[85] P. Proudhon. Proudhon: What is Property? , 1994 .
[86] J. Hillman. Book review , 1994, Eye.
[87] H. R. Vaget. Wagner, Anti-Semitism, and Mr. Rose: Merkwurd'ger Fall! , 1993 .
[88] D. Lewin. Some Notes on Analyzing Wagner: "The Ring" and "Parsifal" , 1992 .
[89] A. Whittall. Analytic Voices: The Musical Narratives of Carolyn Abbate , 1992 .
[90] Robin Stowell,et al. The Cambridge companion to the violin , 1992 .
[91] Carolyn Abbate. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century , 1992 .
[92] Barry Millington. Nuremberg Trial: Is there anti-semitism in Die Meistersinger? , 1991, Cambridge Opera Journal.
[93] G. Hegel,et al. Hegel: Elements of the Philosophy of Right , 1991 .
[94] Barry Millington. The Ring according to Berghaus , 1987 .
[95] Hans Erismann. Richard Wagner in Zürich , 1987 .
[96] H. Krones. Wilhelm Furtwängler , 1986 .
[97] M. Broszat. Hitler and the Genesis of the ‘Final Solution’: An Assessment of David Irving’s Theses , 1985 .
[98] A. Whittall. Wagner's Great Transition? From 'Lohengrin' to 'Das Rheingold' , 1983 .
[99] Stoddard Martin. Wagner to “The Waste Land” , 1982 .
[100] Anthony Newcomb. The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis , 1981 .
[101] Graham Darby,et al. The Uninvited Guests , 1980, Nature.
[102] John Deathridge. Wagner's Sketches for the 'Ring': Some Recent Studies , 1977 .
[103] 金田 民夫. Kunst und Klima , 1972 .
[104] R. Wagner. Richard Wagners "Ring des Nibelungen" , 1953 .
[105] R. Wagner. Die Nibelungen : Weltgeschichte aus der Sage , 1950 .
[106] J. Hankins. Caliban the Bestial Man , 1947, PMLA/Publications of the Modern Language Association of America.
[107] T. W. Adorno. Fragmente über Wagner , 1939 .
[108] R. Wagner,et al. Das Kunstwerk der Zukunft , 1934 .
[109] H. Berl. Das Judentum in der Musik , 1927 .
[110] Richard Wagner,et al. Die Kunst und die Revolution , 1919 .
[111] E. Ungerer,et al. Oper und Drama , 2022 .