The elemental composition of Stradivari's musical instruments: new results through non-invasive EDXRF analysis

[1]  Jean-Philippe Echard,et al.  In situ multi-element analyses by energy-dispersive X-ray fluorescence on varnishes of historical violins , 2004 .

[2]  J Peris-Vicente,et al.  Gas chromatography/mass spectrometry characterization of historical varnishes of ancient Italian lutes and violin. , 2007, Analytica chimica acta.

[3]  E. Pavlidou,et al.  Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece. , 2000, Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy.

[4]  Marco Malagodi,et al.  Handheld XRF and Raman equipment for the in situ investigation of Roman finds in the Villa dei Quintili (Rome, Italy) , 2017 .

[5]  M. Réfrégiers,et al.  Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood. , 2015, The Analyst.

[6]  Bertrand Lavédrine,et al.  The nature of the extraordinary finish of Stradivari's instruments. , 2010, Angewandte Chemie.

[7]  J. Michelman.  Additional Confirmatory Evidence of the Rediscovery of the Old Italian Varnish. , 1950, Science.

[8]  N. L. Owen,et al.  Wood used by Stradivari and Guarneri , 2006, Nature.

[9]  Alex von Bohlen,et al.  Microanalysis of old violin varnishes by total-reflection X-ray fluorescence 1 This paper was presen , 1997 .

[10]  Marco Malagodi,et al.  A multi-technique chemical characterization of a Stradivari decorated violin top plate , 2013 .

[11]  C. Miliani,et al.  Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach , 2009, Analytical and bioanalytical chemistry.

[12]  B. Kanngießer,et al.  Handbook of practical X-ray fluorescence analysis , 2006 .

[13]  Joseph Nagyvary,et al.  The Chemistry of a Stradivarius , 1988 .

[14]  A. Bohlen.  Quantitative Analysis of Minor and Trace Elements in Historical Varnishes Using Total Reflection X‐Ray Fluorescence , 2004 .

[15]  A. von Bohlen,et al.  Detection of Casting Material on Historical Violins by Infrared Spectroscopy and Total Reflection X-Ray Fluorescence Spectrometry , 2000 .

[16]  Marco Malagodi,et al.  A multi-analytical non-invasive approach to violin materials: The case of Antonio Stradivari “Hellier” (1679)☆ , 2016 .

[17]  Costanza Miliani,et al.  Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments , 2012 .

[18]  Luca Lombardi,et al.  Automatic identification of varnish wear on historical instruments: The case of Antonio Stradivari violins , 2016 .

[19]  A. Campbell,et al.  Physical and chemical characteristics of wood ash , 1991 .

[20]  R. Danovaro,et al.  Climate Change and the Potential Spreading of Marine Mucilage and Microbial Pathogens in the Mediterranean Sea , 2009, PloS one.

[21]  Costanza Miliani,et al.  An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques , 2010 .

[22]  F. Schwarze,et al.  Superior wood for violins--wood decay fungi as a substitute for cold climate. , 2008, The New phytologist.

[23]  Bertrand Lavédrine,et al.  Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy , 2008 .

[24]  P. Edwards,et al.  Wood treatment used in Cremonese instruments , 1988, Nature.

[25]  Clifford H. Spiegelman,et al.  Mineral Preservatives in the Wood of Stradivari and Guarneri , 2009, PloS one.

[26]  Monica Gulmini,et al.  Spectroscopic Analysis to Characterize Finishing Treatments of Ancient Bowed String Instruments , 2017, Applied spectroscopy.

[27]  Hwan‐Ching Tai,et al.  Chemical distinctions between Stradivari’s maple and modern tonewood , 2016, Proceedings of the National Academy of Sciences.

[28]  E. Caponetti,et al.  Micro-X-Ray Fluorescence and the Old Masters , 2012 .