Experiments on authenticity and plausibility of binaural reproduction via headphones employing different recording methods

Abstract Major criteria for a successful binaural reproduction are not only a suitable localization performance, but also the authenticity and plausibility of the presented scene. It is therefore interesting to examine whether the binaural reproduction can be perceptually distinguished from a real source. The aim of the presented investigation is to compare the quality of the binaural reproduction via headphones with two different microphone setups (miniature microphone in Open-Dome and ear plug) for individual head-related-transfer-function (HRTF) and headphone-transfer-function (HpTF) measurements. Listening tests with a total of 80 subjects were carried out focusing on plausibility and authenticity. In the examination of plausibility detection rates showed that subjects were not able to match the reproduced pink noise to its reproduction system (real source vs. binaural reproduction via headphones). The authenticity of the static binaural reproduction was highly dependent on the stimulus. Pink noise could often be distinguished due to coloration in higher frequencies and small differences in location. A difference between microphone setups could not be found in neither of the listening tests.

[1]  Michael Vorländer,et al.  On the Optimization of the Multiple Exponential Sweep Method , 2013 .

[2]  Florian Völk Inter- and Intra-Individual Variability in Blocked Auditory Canal Transfer Functions of Three Circum-Aural Headphones , 2011 .

[3]  H. Møller,et al.  Sound transmission to and within the human ear canal. , 1996, The Journal of the Acoustical Society of America.

[4]  Henrik Møller,et al.  Design Criteria for Headphones , 1995 .

[5]  F L Wightman,et al.  Headphone simulation of free-field listening. II: Psychophysical validation. , 1989, The Journal of the Acoustical Society of America.

[6]  Stefan Weinzierl,et al.  Assessing the plausibility of virtual acoustic environments , 2012 .

[7]  Piotr Majdak,et al.  Sound localization in individualized and non-individualized crosstalk cancellation systems. , 2013, The Journal of the Acoustical Society of America.

[8]  W M Hartmann,et al.  On the externalization of sound images. , 1996, The Journal of the Acoustical Society of America.

[9]  A. Bronkhorst Localization of real and virtual sound sources , 1995 .

[10]  Henrik Møller,et al.  Transfer characteristics of headphones measured on human ears , 1995 .

[11]  Alexander Lindau,et al.  Evaluation of equalization methods for binaural signals , 2009 .

[12]  Alastair H. Moore,et al.  An Initial Validation of Individualized Crosstalk Cancellation Filters for Binaural Perceptual Experiments , 2008 .

[13]  Josefa Oberem,et al.  Authenticity and Naturalness of Binaural Reproduction via Headphones regarding Different Equalization Methods , 2013 .

[14]  Stefan Weinzierl,et al.  Binaural Resynthesis for Comparative Studies of Acoustical Environments , 2007 .

[15]  Alan R Palmer,et al.  The binaural performance of a cross-talk cancellation system with matched or mismatched setup and playback acoustics. , 2007, The Journal of the Acoustical Society of America.

[16]  Josefa Oberem,et al.  Performance of binaural technology for auditory selective attention , 2012 .

[17]  D. M. Green,et al.  Directional sensitivity of sound-pressure levels in the human ear canal. , 1989, The Journal of the Acoustical Society of America.

[18]  D. M. Green,et al.  Sound localization by human listeners. , 1991, Annual review of psychology.

[19]  Dorte Hammershøi,et al.  Binaural Technique: Do We Need Individual Recordings? , 1996 .

[20]  V. Mellert,et al.  Transformation characteristics of the external human ear. , 1977, The Journal of the Acoustical Society of America.

[21]  Pavel Zahorik,et al.  The fidelity of virtual auditory displays. , 1996 .

[22]  Janina Fels,et al.  Perceptually Robust Headphone Equalization for Binaural Reproduction , 2011 .

[23]  W. Hartmann,et al.  Localization of sound in rooms, III: Onset and duration effects. , 1986, The Journal of the Acoustical Society of America.

[24]  Josefa Oberem,et al.  Intentional Switching in Auditory Selective Attention: Exploring Different Binaural Reproduction Methods in an Anechoic Chamber , 2014 .

[25]  Michael Vorländer,et al.  Switching in the cocktail party: exploring intentional control of auditory selective attention. , 2011, Journal of experimental psychology. Human perception and performance.

[26]  E. Langendijk,et al.  Fidelity of three-dimensional-sound reproduction using a virtual auditory display. , 2000, The Journal of the Acoustical Society of America.

[27]  J. Blauert Spatial Hearing: The Psychophysics of Human Sound Localization , 1983 .