Turn-taking and Online Chatting in Co-located and Remote Collaborative Music Live Coding

This is the authors’ accepted manuscript, the article has been accepted for publication in the Journal of the Audio Engineering Society: Anna Xambó, Gerard Roma, Pratik Shah, Takahiko Tsuchiya, Jason Freeman, and Brian Magerko (2018). Turn-taking and Online Chatting in Co-located and Remote Collaborative Music Live Coding. Journal of the Audio Engineering Society, 66(4), 253256. Please refer to the published version here: http://www.aes.org/e-lib/browse.cfm?elib=19391.

[1]  Christos Makris,et al.  Editorial , 2015, Int. J. Artif. Intell. Tools.

[2]  Latisha Asmaak Shafie,et al.  SMS Language and College Writing : The languages of the College Texters , 2010, Int. J. Emerg. Technol. Learn..

[3]  Yee ‐ King Collaborative Coding Interfaces on the Web , .

[4]  Jason Freeman,et al.  Turn-Taking and Chatting in Collaborative Music Live Coding , 2017, Audio Mostly Conference.

[5]  John L. Arnott,et al.  Studies of Turn-Taking in Computer-Mediated Communication , 1994, Interact. Comput..

[6]  Alex McLean Reflections on live coding collaboration , 2015 .

[7]  Jason Freeman,et al.  Engaging underrepresented groups in high school introductory computing through computational remixing with EarSketch , 2014, SIGCSE.

[8]  E. Schegloff,et al.  A simplest systematics for the organization of turn-taking for conversation , 1974 .

[9]  Graham Wakefield,et al.  Collaborative Live-Coding Virtual Worlds with an Immersive Instrument , 2014 .

[10]  Jason Freeman,et al.  Computational Challenges of Co-Creation in Collaborative Music Live Coding : An Outline , 2017 .

[11]  Matthew Wright,et al.  Problems and Prospects for Intimate Musical Control of Computers , 2002, Computer Music Journal.

[12]  Jason Freeman,et al.  Collaborative Textual Improvisation in a Laptop Ensemble , 2011, Computer Music Journal.

[13]  Georg Essl The Mobile Phone Ensemble As Classroom , 2010, ICMC.

[14]  Hans Jørgen Andersen,et al.  Two Shared Rapid Turn Taking Sound Interfaces for Novices , 2012, NIME.

[15]  Michael Edwards,et al.  Algorithmic composition , 2011, Commun. ACM.

[16]  Danny Bazo,et al.  Sharing Time and Code in a Browser-Based Live Coding Environment , 2015 .

[17]  Benjamin Taylor A history of the audience as a speaker array , 2017, NIME.

[18]  Gerry Stahl,et al.  Designing for Group Math Discourse , 2013, CSCL.

[19]  Austin Henderson,et al.  Interaction Analysis: Foundations and Practice , 1995 .

[20]  Chad McKinney Quick Live Coding Collaboration In The Web Browser , 2014, NIME.

[21]  Sang Won Lee,et al.  Communication, Control, and State Sharing in Collaborative Live Coding , 2014, NIME.

[22]  Muhammad Faisal Aziz,et al.  The Impact of Texting/SMS Language on Academic Writing of Students- What do we need to panic about? , 2013 .

[23]  Nick Bryan-Kinns,et al.  Hey Man, You're Invading my Personal Space ! Privacy and Awareness in Collaborative Music , 2010, NIME.

[24]  Jesse M. Heines,et al.  Teaching computational thinking through musical live coding in scratch , 2010, SIGCSE.

[25]  Florian Vogt,et al.  Tooka: Exploration of Two Person Instruments , 2002, NIME.

[26]  P. Dillenbourg What do you mean by collaborative learning , 1999 .

[27]  JoAnn Kuchera-Morin,et al.  Gibber: Live coding audio in the Browser , 2012, ICMC.

[28]  Thor Magnusson,et al.  Confessions of a Live Coder , 2011, ICMC.

[29]  Jason Freeman,et al.  Challenges and New Directions for Collaborative Live Coding in the Classroom , 2016 .

[30]  Alan F. Blackwell,et al.  From sonic Pi to overtone: creative musical experiences with domain-specific and functional languages , 2013, FARM '13.

[31]  Saifuddin Kumar Abdullah,et al.  The impact of electronic communication technology on written language , 2009 .

[32]  Tina Blaine,et al.  Contexts of Collaborative Musical Experiences , 2003, NIME.

[33]  Alex McLean,et al.  Visualisation of live code , 2010, EVA.

[34]  Bob Godwin-Jones,et al.  Messaging, Gaming, Peer-to-Peer Sharing: Language Learning Strategies & Tools for the Millennial Generation , 2005 .