Digital painting analysis, at the cross section of engineering, mathematics and culture
暂无分享,去创建一个
Ann Dooms | Peter Schelkens | Bruno Cornelis | Jan Cornelis | Frederik Leen | J. Cornelis | P. Schelkens | A. Dooms | Bruno Cornelis | F. Leen
[1] Mauro Barni,et al. Image Processing for Virtual Restoration of Artworks , 2000, IEEE Multim..
[2] David G. Stork,et al. Computer graphics synthesis for inferring artist studio practice: an application to Diego Velázquez's Las Meninas[ , 2009, Electronic Imaging.
[3] Henri Maitre,et al. High-quality imaging in museum: from theory to practice , 1997, Electronic Imaging.
[4] C. Richard Johnson,et al. Advances in Computer-Assisted Canvas Examination : Thread Counting Algorithms , 2009 .
[5] Koen Janssens,et al. Visualization of a lost painting by Vincent van Gogh using synchrotron radiation based X-ray fluorescence elemental mapping. , 2008, Analytical chemistry.
[6] S. B. Kang,et al. Reflections of Reality in Jan van Eyck and Robert Campin , 2004 .
[7] No Value. Scientific Examination of Art: Modern Techniques in Conservation and Analysis , 2005 .
[8] Ann Dooms,et al. Multispectral imaging for digital painting analysis: a Gauguin case study , 2010, Optical Engineering + Applications.
[9] Fazly Salleh Abas,et al. Classification of painting cracks for content-based analysis , 2003, IS&T/SPIE Electronic Imaging.
[10] Andrew G. Klein,et al. A thread counting algorithm for art forensics , 2009, 2009 IEEE 13th Digital Signal Processing Workshop and 5th IEEE Signal Processing Education Workshop.
[11] Noelle Ocon,et al. CONFOCAL X-RAY FLUORESCENCE MICROSCOPY FOR THE ANALYSIS OF PAINTINGS : CASE STUDY OF THE ARMORER ’ S SHOP , 2008 .
[12] Spike Bucklow,et al. THE DESCRIPTION OF CRAQUELURE PATTERNS , 1997 .
[13] Kirk Martinez,et al. High Resolution Colorimetric Image Browsing on the Web , 1998, Comput. Networks.
[14] Shannon M. Hughes,et al. Detection of forgery in paintings using supervised learning , 2009, 2009 16th IEEE International Conference on Image Processing (ICIP).
[15] J. Mohen,et al. Mona Lisa: Inside the Painting , 2006 .
[16] D. Stork. Optics and realism in Renaissance art. , 2004, Scientific American.
[17] Siwei Lyu,et al. A digital technique for art authentication , 2004, Proc. Natl. Acad. Sci. USA.
[18] Shannon M. Hughes,et al. Stylistic Analysis of Paintings using Complex Wavelets and Random Forest Learning Algorithm , 2009 .
[19] J. M. Hughes,et al. Quantification of artistic style through sparse coding analysis in the drawings of Pieter Bruegel the Elder , 2010, Proceedings of the National Academy of Sciences.
[20] Pascal Cotte,et al. Crisatel High Resolution Multispectral System , 2003, PICS.
[21] Kirk Martinez. High Resolution Digital Imaging of Paintings: The Vasari Project , 1991 .
[22] Francis Schmitt,et al. Calibration and spectral reconstruction for CRISATEL : An art painting multispectral acquisition system , 2005 .
[23] C. Richard Johnson,et al. Matching canvas weave patterns from processing x-ray images of master paintings , 2010, 2010 IEEE International Conference on Acoustics, Speech and Signal Processing.
[24] Spike L. Bucklow,et al. A Stylometric Analysis of Craquelure , 1997, Comput. Humanit..
[25] Hervé Derrien. MARC, a new methodology for art reproduction in colour , 1993 .
[26] Ann Dooms,et al. Experimental study of canvas characterization for paintings , 2010, Electronic Imaging.
[27] David Saunders,et al. Methodology for Art Reproduction in Colour: the MARC project , 1996 .
[28] A. R. Mahajan. Cracks Inspection and Interpolation in Digitized Artistic Picture using Image Processing Approach , 2009 .
[29] Richard P Taylor. Order in Pollock's chaos. , 2002, Scientific American.
[30] Aleksandra Pizurica,et al. Spatiogram features to characterize pearls in paintings , 2011, 2011 18th IEEE International Conference on Image Processing.
[31] Roy S. Berns,et al. An investigation of multispectral imaging for the mapping of pigments in paintings , 2008, Electronic Imaging.
[32] Patrick Pérez,et al. Region filling and object removal by exemplar-based image inpainting , 2004, IEEE Transactions on Image Processing.
[33] Aleksandra Pizurica,et al. Virtual Restoration of the Ghent Altarpiece Using Crack Detection and Inpainting , 2011, ACIVS.
[34] Jia Li,et al. Image processing for artist identification , 2008, IEEE Signal Processing Magazine.
[35] Stanley T. Birchfield,et al. Spatiograms versus histograms for region-based tracking , 2005, 2005 IEEE Computer Society Conference on Computer Vision and Pattern Recognition (CVPR'05).
[36] Ioannis Pitas,et al. Digital image processing techniques for the detection and removal of cracks in digitized paintings , 2006, IEEE Transactions on Image Processing.
[37] Ann Dooms,et al. Report on Digital Image Processing for Art Historians , 2009 .
[38] David G. Stork,et al. Estimating the location of illuminants in realist master paintings Computer image analysis addresses a debate in art history of the Baroque , 2006, 18th International Conference on Pattern Recognition (ICPR'06).
[39] David Saunders,et al. Ten years of art imaging research , 2002, Proc. IEEE.
[40] Kirk Martinez,et al. VIPS - a highly tuned image processing software architecture , 2005, IEEE International Conference on Image Processing 2005.
[41] Richard Taylor,et al. Authenticating Pollock paintings using fractal geometry , 2007, Pattern Recognit. Lett..