暂无分享,去创建一个
Carlos Eduardo Cancino Chacón | Maarten Grachten | Thassilo Gadermaier | Carlos Eduardo Cancino-Chacón | M. Grachten | Thassilo Gadermaier
[1] Neil P. McAngus Todd,et al. A computational model of rubato , 1989 .
[2] Giovanni De Poli,et al. An Abstract Control Space for Communication of Sensory Expressive Intentions in Music Performance , 2003 .
[3] J. Sloboda. The Communication of Musical Metre in Piano Performance , 1983 .
[4] Gerhard Widmer,et al. Machine Discoveries: A Few Simple, Robust Local Expression Principles , 2002 .
[5] Eric Clarke,et al. Expression and communication in musical performance , 1991 .
[6] Razvan Pascanu,et al. How to Construct Deep Recurrent Neural Networks , 2013, ICLR.
[7] Alfred Binet,et al. Recherches graphiques sur la musique , 1895 .
[8] Emery Schubert,et al. Expressiveness in music performance : empirical approaches across styles and cultures , 2014 .
[9] Erwin Schoonderwaldt,et al. Extraction of bowing parameters from violin performance combining motion capture and sensors. , 2009, The Journal of the Acoustical Society of America.
[10] Thomas L. Rhea,et al. Evolution of the Keyboard Interface: The Bosendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards , 1990 .
[11] Jordi Bonada,et al. Low-Latency Instrument Separation in Polyphonic Audio Using Timbre Models , 2012, LVA/ICA.
[12] Giovanni De Poli. Analysis and Modeling of Expressive Intentions in Music Performance , 2003 .
[13] Gerhard Widmer,et al. Automatic Page Turning for Musicians via Real-Time Machine Listening , 2008, ECAI.
[14] Roberto Bresin,et al. Artificial neural networks based models for automatic performance of musical scores , 1998 .
[15] G. Widmer,et al. A method to determine the contribution of annotated performance directives in music performances , 2011 .
[16] Gerhard Widmer,et al. Discovering simple rules in complex data: A meta-learning algorithm and some surprising musical discoveries , 2003, Artif. Intell..
[17] P. Juslin. Emotional Communication in Music Performance: A Functionalist Perspective and Some Data , 1997 .
[18] Carlos Eduardo Cancino Chacón,et al. Temporal Dependencies in the Expressive Timing of Classical Piano Performances , 2017 .
[19] P. Keller. Ensemble performance: Interpersonal alignment of musical expression , 2013 .
[20] Gerhard Widmer,et al. Computational Models of Expressive Music Performance: The State of the Art , 2004 .
[21] Roger B. Dannenberg,et al. Spectral Learning for Expressive Interactive Ensemble Music Performance , 2015, ISMIR.
[22] Carlos Eduardo Cancino Chacón,et al. An Evaluation of Score Descriptors Combined with Non-linear Models of Expressive Dynamics in Music , 2015, Discovery Science.
[23] Gerhard Widmer,et al. Automatic Alignment of Music Performances with Structural Differences , 2013, ISMIR.
[24] Robert O. Gjerdingen,et al. The Psychology of Music , 1972 .
[25] W. Goebl,et al. Measurement setup for articulatory transient differences in woodwind performance , 2013 .
[26] Shin-ichi Maeda,et al. Gaussian Process Regression for Rendering Music Performance , 2008 .
[27] Is He Playing Solo or within an Ensemble? How the Context, Visual Information, and Expertise May Impact upon the Perception of Musical Expressivity , 2014, Perception.
[28] Hervé Bourlard,et al. Generalization and Parameter Estimation in Feedforward Netws: Some Experiments , 1989, NIPS.
[29] Jordi Janer,et al. Improving Score-Informed Source Separation for Classical Music through Note Refinement , 2015, ISMIR.
[30] W Goebl,et al. Melody lead in piano performance: expressive device or artifact? , 2001, The Journal of the Acoustical Society of America.
[31] J. Sundberg,et al. Overview of the KTH rule system for musical performance. , 2006 .
[32] W. L. Windsor,et al. Expressive Timing and Dynamics in Real and Artificial Musical Performances: Using an Algorithm as an Analytical Tool , 1997 .
[33] C. Palmer,et al. Synchronization of Timing and Motion 435 , 2022 .
[34] Giovanni De Poli. Analysis and modeling of expressive intentions in music performance. , 2003, Annals of the New York Academy of Sciences.
[35] David P. Helmbold,et al. Modeling, analyzing, and synthesizing expressive piano performance with graphical models , 2006, Machine Learning.
[36] W. Goebl,et al. Context-specific effects of musical expertise on audiovisual integration , 2014, Front. Psychol..
[37] J. Sloboda,et al. Music and emotion: Theory and research , 2001 .
[38] Alex Graves,et al. Generating Sequences With Recurrent Neural Networks , 2013, ArXiv.
[39] Florian Krebs,et al. An Assessment of Learned Score Features for Modeling Expressive Dynamics in Music , 2014, IEEE Transactions on Multimedia.
[40] Tapio Lokki,et al. Anechoic recording system for symphony orchestra , 2008 .
[41] Gerhard Widmer,et al. Linear Basis Models for Prediction and Analysis of Musical Expression , 2012 .