An Event-Based Approach to Describing and Understanding Museum Narratives

Current museum metadata tends to be focused around the properties of the heritage object such as the artist, style and date of creation. This form of metadata can index a museum’s collection but cannot express the relations between heritage objects and related concepts found in contemporary museum exhibitions. A modern museum exhibition, rather than providing a taxonomic classification of heritage objects, uses them in the construction of curatorial narratives to be interpreted by an audience. In this paper we outline how curatorial narratives can be represented semantically using our Curate Ontology. The Curate Ontology, informed by a detailed analysis of two museum exhibitions, draws on structuralist theories that distinguish between story (i.e. what can be told), plot (i.e. an interpretation of the story) and narrative (i.e. its presentational form). This work has implications for how events can be used in the description of museum narratives and their associated heritage objects.

[1]  Lora Aroyo,et al.  Finding Your Way through the Rijksmuseum with an Adaptive Mobile Museum Guide , 2010, ESWC.

[2]  Gabriel,et al.  Gabriel Metsu, Rediscovered Master of the Dutch Golden Age , 2010 .

[3]  Susan M. Pearce,et al.  On Collecting: An Investigation into Collecting in the European Tradition , 1995 .

[4]  Mark Bernstein,et al.  Structural patterns and hypertext rhetoric , 1999, CSUR.

[5]  Lora Aroyo,et al.  Automatic Heritage Metadata Enrichment with Historic Events , 2011 .

[6]  Robert B. Allen,et al.  Browsing the structure of multimedia stories , 2000, DL '00.

[7]  Ruth Aylett,et al.  Narrative Construction in a Mobile Tour Guide , 2007, International Conference on Virtual Storytelling.

[8]  Stefan Decker,et al.  Produce and Consume Linked Data with Drupal! , 2009, SEMWEB.

[9]  James White National Gallery of Ireland , 1968 .

[10]  Shawn Rowe,et al.  Linking Little Narratives to Big Ones: Narrative and Public Memory in History Museums , 2002 .

[11]  Paul Mulholland,et al.  Bletchley Park Text: Using mobile and semantic web technologies to support the post-visit use of online museum resources , 2005 .

[12]  Lora Aroyo,et al.  Cultivating Personalized Museum Tours Online and On-Site , 2009 .

[13]  Jean Wineman,et al.  Path, theme and narrative in open plan exhibition settings , 2003 .

[14]  Steffen Staab,et al.  F--a model of events based on the foundational ontology dolce+DnS ultralight , 2009, K-CAP '09.

[15]  D. Polkinghorne Narrative Knowing and the Human Sciences , 2010 .

[16]  Raphaël Troncy,et al.  LODE: Linking Open Descriptions of Events , 2009, ASWC.

[17]  Lora Aroyo,et al.  Interactive User Modeling for Personalized Access to Museum Collections: The Rijksmuseum Case Study , 2007, User Modeling.

[18]  Eero Hyvönen,et al.  CultureSampo: A National Publication System of Cultural Heritage on the Semantic Web 2.0 , 2009, ESWC.

[19]  Raphaël Troncy,et al.  Linking events with media , 2010, I-SEMANTICS '10.

[20]  Eero Hyvönen,et al.  Narrative Semantic Web -- Case National Finnish Epic Kalevala , 2010 .

[21]  Geoffrey K. Roberts,et al.  The history and narrative reader , 2001 .

[22]  Zdenek Zdráhal,et al.  Semantic Browsing of Digital Collections , 2005, International Semantic Web Conference.

[23]  S. Chatman,et al.  Story and Discourse: Narrative Structure in Fiction and Film , 1979 .

[24]  Border Ireland Irish Museum of Modern Art , 2006 .

[25]  Lee T. Lemon,et al.  Russian formalist criticism : four essays , 1968 .