The ancient use of colouring on the marble statues of Hierapolis of Phrygia (Turkey): an integrated multi-analytical approach

[1]  Molly D Gleeson,et al.  American Institute for Conservation of Historic and Artistic Works (AIC) , 2020, Encyclopedia of Global Archaeology.

[2]  F. Casadio,et al.  A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt , 2018 .

[3]  G. Chiari,et al.  Egyptian blue in the Castelseprio mural painting cycle. Imaging and evidence of a non-traditional manufacture , 2018 .

[4]  Maria Perla Colombini,et al.  Advanced analytical investigation on degradation markers in wall paintings , 2018, Microchemical Journal.

[5]  D. Tamburini,et al.  The identification of lac as a pigment in ancient Greek polychromy - The case of a Hellenistic oinochoe from Canosa di Puglia , 2018 .

[6]  M. Colombini,et al.  Spectroscopic and mass spectrometric approach to define the Cyprus Orthodox icon tradition - The first known occurrence of Indian lac in Greece/Europe , 2017 .

[7]  Roxanne Radpour,et al.  Application of forensic photography for the detection and mapping of Egyptian blue and madder lake in Hellenistic polychrome terracottas based on their photophysical properties , 2017 .

[8]  M. Colombini,et al.  A multi analytical approach to determine madder lake in a funerary clay vessel found in a chamber tomb in Taranto, Italy , 2017 .

[9]  Sorin Hermon,et al.  Non-destructive in situ analysis of polychromy on ancient Cypriot sculptures , 2018, Archaeological and Anthropological Sciences.

[10]  M. Colombini,et al.  A Matrix-Assisted Laser Desorption/Ionization Time-of-Flight Mass Spectrometry Method for the Identification of Anthraquinones: the Case of Historical Lakes , 2016, Journal of The American Society for Mass Spectrometry.

[11]  Lydia Avlonitou Pigments and colours: An inside look at the painted decoration of the Macedonian funerary monuments , 2016 .

[12]  I. Karapanagiotis,et al.  Identification of Pigments in Hellenistic and Roman Funeral Figurines , 2016 .

[13]  I. Karapanagiotis,et al.  Armenian cochineal (Porphyrophora hamelii) and purpurin-rich madder in ancient polychromy , 2015 .

[14]  Iannaccone Roberta,et al.  An integrated multimethodological approach for characterizing the materials and pigments on a sarcophagus in St. Mark, Marcellian and Damasus catacombs , 2015 .

[15]  Harikleia Brecoulaki “Precious colours” in Ancient Greek polychromy and painting : material aspects and symbolic values , 2014 .

[16]  J. Dyer,et al.  ‘Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: a User Manual’ , 2013 .

[17]  Erika Ribechini,et al.  Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles , 2009 .

[18]  Costanza Miliani,et al.  The exceptional near-infrared luminescence properties of cuprorivaite (Egyptian blue). , 2009, Chemical communications.

[19]  G. Verri,et al.  The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging , 2009, Analytical and bioanalytical chemistry.

[20]  M. Colombini,et al.  I colori e la tecnica pittorica: risultati dell’indagine analitica , 2009 .

[21]  M. Colombini,et al.  Materiali organici dalle pellicole pittoriche di terrecotte architettoniche provenienti da Cuma , 2009 .

[22]  M. S. Tite,et al.  The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia , 2008 .

[23]  David Saunders,et al.  Post-capture data analysis as an aid to the interpretation of ultraviolet-induced fluorescence images , 2008, Electronic Imaging.

[24]  I. Karapanagiotis,et al.  Investigation of red natural dyes used in historical objects by HPLC-DAD-MS. , 2006, Annali di chimica.

[25]  B. Levick The Roman Economy: Trade in Asia Minor and the Niche Market* , 2004, Greece and Rome.

[26]  H. Baumann Die griechische Pflanzenwelt in Mythos, Kunst und Literatur , 1986 .