Critical-Reflective Human-AI Collaboration: Exploring Computational Tools for Art Historical Image Retrieval
暂无分享,去创建一个
[1] Jed R. Brubaker,et al. Scholastic: Graphical Human-AI Collaboration for Inductive and Interpretive Text Analysis , 2022, UIST.
[2] Mark O. Riedl,et al. Human-Centered Explainable AI (HCXAI): Beyond Opening the Black-Box of AI , 2022, CHI Extended Abstracts.
[3] Tsz Tung Yu,et al. Human-AI Collaboration for UX Evaluation: Effects of Explanation and Synchronization , 2022, Proc. ACM Hum. Comput. Interact..
[4] L. Klic. Linked Open Images: Visual similarity for the Semantic Web , 2022, Semantic Web.
[5] B. Ommer,et al. Large-scale interactive retrieval in art collections using multi-style feature aggregation , 2021, PloS one.
[6] Shiri Azenkot,et al. Accept or Address? Researchers’ Perspectives on Response Bias in Accessibility Research , 2021, ASSETS.
[7] Jed R. Brubaker,et al. Putting Tools in Their Place: The Role of Time and Perspective in Human-AI Collaboration for Qualitative Analysis , 2021, Proc. ACM Hum. Comput. Interact..
[8] A. Dahlgren,et al. The Digital U-Turn in Art History , 2021, Konsthistorisk tidskrift/Journal of Art History.
[9] Claudia Müller-Birn,et al. Explanation Strategies as an Empirical-Analytical Lens for Socio-Technical Contextualization of Machine Learning Interpretability , 2021, Proc. ACM Hum. Comput. Interact..
[10] Emily Denton,et al. Do Datasets Have Politics? Disciplinary Values in Computer Vision Dataset Development , 2021, Proc. ACM Hum. Comput. Interact..
[11] Eyke Hüllermeier,et al. iART: A Search Engine for Art-Historical Images to Support Research in the Humanities , 2021, ACM Multimedia.
[12] Alex Brey. Digital art history in 2021 , 2021, History Compass.
[13] Tammy Toscos,et al. Standardizing Reporting of Participant Compensation in HCI: A Systematic Literature Review and Recommendations for the Field , 2021, CHI.
[14] A. Hanna,et al. Documenting Computer Vision Datasets: An Invitation to Reflexive Data Practices , 2021, FAccT.
[15] Casey Fiesler,et al. Supporting Serendipity , 2021, Proc. ACM Hum. Comput. Interact..
[16] Elena Villaespesa,et al. This is not an apple! Benefits and challenges of applying computer vision to museum collections , 2021, Museum Management and Curatorship.
[17] Natalia Kovalyova,et al. Data feminism , 2020, Information, Communication & Society.
[18] Micki McGee,et al. Topicalizer: reframing core concepts in machine learning visualization by co-designing for interpretivist scholarship , 2020, Hum. Comput. Interact..
[19] Ben Shneiderman,et al. From Human-Human Collaboration to Human-AI Collaboration: Designing AI Systems That Can Work Together with People , 2020, CHI Extended Abstracts.
[20] Leonardo Impett,et al. Analyzing Gesture in Digital Art History , 2020 .
[21] Christopher Frauenberger,et al. Entanglement HCI The Next Wave? , 2019, ACM Trans. Comput. Hum. Interact..
[22] John Rodzvilla,et al. Critical Digital Humanities: The Search for a Methodology , 2019, Journal of Web Librarianship.
[23] Virginia Braun,et al. Reflecting on reflexive thematic analysis , 2019, Qualitative Research in Sport, Exercise and Health.
[24] Paul N. Bennett,et al. Guidelines for Human-AI Interaction , 2019, CHI.
[25] R. Alvarado. Digital Humanities and the Great Project: , 2019, Debates in the Digital Humanities 2019.
[26] Trevor Muñoz,et al. Against Cleaning , 2019, Debates in the Digital Humanities 2019.
[27] Livio De Luca,et al. An Ontological Approach to the Description of Visual and Iconographical Representations , 2019, Heritage.
[28] Nan Z. Da. The Computational Case against Computational Literary Studies , 2019, Critical Inquiry.
[29] J. Aerts,et al. Slow Digital Art History in Action: Project Cornelia’s Computational Approach to Seventeenth-century Flemish Creative Communities , 2019, Visual Resources.
[30] Eric J. Johnson,et al. When and why defaults influence decisions: a meta-analysis of default effects , 2019, Behavioural Public Policy.
[31] Björn Ommer,et al. Attesting similarity: Supporting the organization and study of art image collections with computer vision , 2018, Digit. Scholarsh. Humanit..
[32] Marijn Koolen,et al. Toward a model for digital tool criticism: Reflection as integrative practice , 2018, Digit. Scholarsh. Humanit..
[33] M. Schäfer,et al. Tool Criticism: From Digital Methods to Digital Methodology , 2018, Proceedings of the 2nd International Conference on Web Studies.
[34] Ahmed Hosny,et al. The Dataset Nutrition Label: A Framework To Drive Higher Data Quality Standards , 2018, Data Protection and Privacy.
[35] Benoit Seguin,et al. The Replica Project: Building a visual search engine for art historians , 2018, XRDS.
[36] Timnit Gebru,et al. Datasheets for datasets , 2018, Commun. ACM.
[37] Eric Ps Baumer,et al. Toward human-centered algorithm design , 2017 .
[38] Christopher Frauenberger,et al. Reflective Practicum: A Framework of Sensitising Concepts to Design for Transformative Reflection , 2017, CHI.
[39] Taina Bucher,et al. The algorithmic imaginary: exploring the ordinary affects of Facebook algorithms , 2017, The Social Power of Algorithms.
[40] J. Grudin,et al. Human-computer integration , 2016, Interactions.
[41] Harald Klinke,et al. Big Image Data within the Big Picture of Art History , 2016 .
[42] Hieke Huistra,et al. Phrasing history: Selecting sources in digital repositories , 2016 .
[43] V. Braun,et al. (Mis)conceptualising themes, thematic analysis, and other problems with Fugard and Potts’ (2015) sample-size tool for thematic analysis , 2016 .
[44] Anna L. Cox,et al. Design Frictions for Mindful Interactions: The Case for Microboundaries , 2016, CHI Extended Abstracts.
[45] Eric Baumer,et al. Reflective Informatics: Conceptual Dimensions for Designing Technologies of Reflection , 2015, CHI.
[46] T. Underwood. Theorizing Research Practices We Forgot to Theorize Twenty Years Ago , 2014 .
[47] Johanna Drucker,et al. Graphesis: Visual Forms of Knowledge Production , 2014 .
[48] Vera D. Khovanskaya,et al. Reviewing reflection: on the use of reflection in interactive system design , 2014, Conference on Designing Interactive Systems.
[49] Melanie Feinberg,et al. Always somewhere, never there: using critical design to understand database interactions , 2014, CHI.
[50] J. Drucker. Is There a “Digital” Art History? , 2013 .
[51] Diane M. Zorich. Digital Art History: A Community Assessment , 2013 .
[52] John Riedl,et al. Introduction to the Transactions on Interactive Intelligent Systems , 2011, ACM Trans. Interact. Intell. Syst..
[53] Claire Waterton,et al. Experimenting with the Archive: STS-ers As Analysts and Co-constructors of Databases and Other Archival Forms , 2010 .
[54] Jodi Forlizzi,et al. A stage-based model of personal informatics systems , 2010, CHI.
[55] B. J. Fogg,et al. A behavior model for persuasive design , 2009, Persuasive '09.
[56] P. Homulos,et al. Propositions for the future: Museum data standards , 2009 .
[57] L. D. Couprie,et al. Iconclass, a device for the iconographical analysis of art objects , 2009 .
[58] P. Müller. Understanding history: Hermeneutics and source-criticism in historical scholarship , 2008 .
[59] Johanna Drucker,et al. Speculative Computing: Aesthetic Provocations in Humanities Computing , 2007 .
[60] V. Braun,et al. Using thematic analysis in psychology , 2006 .
[61] K. Fisher. Demystifying Critical Reflection: Defining criteria for assessment , 2003 .
[62] Martin Doerr,et al. The CIDOC Conceptual Reference Module: An Ontological Approach to Semantic Interoperability of Metadata , 2003, AI Mag..
[63] Johan Redström,et al. Slow Technology – Designing for Reflection , 2001, Personal and Ubiquitous Computing.
[64] Eric Horvitz,et al. Principles of mixed-initiative user interfaces , 1999, CHI '99.
[65] Ben Shneiderman,et al. Direct manipulation vs. interface agents , 1997, INTR.
[66] Loren G. Terveen,et al. Overview of human-computer collaboration , 1995, Knowl. Based Syst..
[67] Peter G. B. Enser,et al. Progress in Documentation Pictorial Information Retrieval , 1995, J. Documentation.
[68] Karen Ruhleder,et al. Reconstructing Artifacts, Reconstructing Work: From Textual Edition to On-Line Databank , 1995 .
[69] R. J. Bogumil,et al. The reflective practitioner: How professionals think in action , 1985, Proceedings of the IEEE.
[70] Linda C. Smith. Representation issues in information retrieval system design , 1981, SIGIR '81.
[71] L. A. Hausman. How we Think , 1921 .
[72] Peter Bell,et al. imgs.ai. A Deep Visual Search Engine for Digital Art History , 2023, DH.
[73] Michael Chromik,et al. Human-XAI Interaction: A Review and Design Principles for Explanation User Interfaces , 2021, INTERACT.
[74] David M. Berry,et al. Critical Digital Humanities and Machine-Learning , 2017, DH.
[75] Sabrina Eberhart,et al. Where To Begin , 2016 .
[76] P. Verbeek. COVER STORY: Beyond interaction: a short introduction to mediation theory , 2015, Interactions.
[77] M. Kirschenbaum. What Is Digital Humanities and What’s It Doing in English Departments? , 2010 .
[78] Philip E. Agre,et al. Toward a Critical Technical Practice: Lessons Learned in Trying to Reform AI , 2006 .