Holistic Package Design and Consumer Brand Impressions

Abstract This article develops empirically based guidelines to assist managers in selecting or modifying package designs for achieving desired consumer responses. Seven studies identify the key types of package designs, including the factors that differentiate those package designs, and determine how these holistic designs are related to consumer brand impressions. The selection of package designs can be simplified with the use of five holistic types: massive, contrasting, natural, delicate, and nondescript designs. Sincere brands should have natural package designs, exciting brands should have contrasting designs, competent brands should have delicate designs, sophisticated brands should have natural or delicate designs, and rugged brands should have contrasting or massive designs. The authors discuss the potential trade-offs among the impressions created by holistic design types and illustrate their findings with numerous real packages.

[1]  S. Siddarth,et al.  The Last Straw? Cigarette Advertising and Realized Market Shares among Youths and Adults, 1979–1993 , 1996 .

[2]  T. Meyvis,et al.  Effects of Brand Logo Complexity, Repetition, and Spacing on Processing Fluency and Judgment , 2001 .

[3]  B. Loken,et al.  Alternative Approaches to Understanding the Determinants of Typicality , 1990 .

[4]  Bernd H. Schmitt,et al.  Building Strong Brands in Asia: Selecting the Visual Components of Image to Maximize Brand Strength , 2003 .

[5]  Peter H. Bloch Seeking the Ideal Form: Product Design and Consumer Response , 1995 .

[6]  Pawel Lewicki,et al.  Nonconscious Social Information Processing , 1986 .

[7]  V. Stefflre,et al.  Organizational Obstacles to Innovation: A Formulation of the Problem , 1985 .

[8]  D. Berlyne,et al.  Aesthetics and Psychobiology , 1975 .

[9]  Robert L. Underwood The Communicative Power of Product Packaging: Creating Brand Identity via Lived and Mediated Experience , 2003 .

[10]  D. Mick,et al.  Consumer Research and Semiotics: Exploring the Morphology of Signs, Symbols, and Significance , 1986 .

[11]  C. Whan Park,et al.  Formation of Price Expectation in Brand Extensions and Impact on Brand Extension Evaluation , 2005 .

[12]  Grant Mccracken Culture and Consumption: A Theoretical Account of the Structure and Movement of the Cultural Meaning of Consumer Goods , 1986 .

[13]  Robert L. Underwood,et al.  Packaging as Brand Communication: Effects of Product Pictures on Consumer Responses to the Package and Brand , 2002 .

[14]  Pawel Lewicki,et al.  Nonconscious information processing and personality , 1997 .

[15]  Priya Raghubir,et al.  Vital Dimensions in Volume Perception: Can the Eye Fool the Stomach? , 1999 .

[16]  P. Homer,et al.  The Situational Impact of Brand Image Beliefs , 2004 .

[17]  A. M. Snodgrass,et al.  Objects of desire , 1998, Nature.

[18]  J. W. Hutchinson,et al.  The Influence of Unity and Prototypicality on Aesthetic Responses to New Product Designs , 1998 .

[19]  Stephen C. Pepper,et al.  Principles of art appreciation , 1949 .

[20]  Joseph A. Cote,et al.  Guidelines for Selecting or Modifying Logos , 1998 .

[21]  V. Benet‐Martínez,et al.  Consumption symbols as carriers of culture: a study of Japanese and Spanish brand personality constructs. , 2001 .

[22]  Kevin Lane Keller Brand Synthesis: The Multidimensionality of Brand Knowledge , 2003 .

[23]  Lyle Brenner,et al.  Comparison, Grouping, and Preference , 1999 .

[24]  R. Zajonc,et al.  Affective discrimination of stimuli that cannot be recognized. , 1980, Science.

[25]  Allan D. Shocker,et al.  Managing Brand Equity , 1991 .

[26]  J. Aaker,et al.  Dimensions of Brand Personality , 1997 .

[27]  Todd J. Arnold,et al.  Individual Differences in the Centrality of Visual Product Aesthetics: Concept and Measurement , 2003 .

[28]  Julie L. Ozanne,et al.  Is your package an effective communicator? A normative framework for increasing the communicative competence of packaging , 1998 .

[29]  K. Koffka Perception: an introduction to the Gestalt-Theorie. , 1922 .

[30]  S. Fournier,et al.  Consumers and Their Brands: Developing Relationship Theory in Consumer Research , 1998 .

[31]  U. Orth Consumer personality and other factors in situational brand choice variation , 2005 .

[32]  V. Benet‐Martínez,et al.  Consumption symbols as carriers of culture: a study of Japanese and Spanish brand personality constructs. , 2001, Journal of personality and social psychology.

[33]  Sha Yang,et al.  Can bottles speak volumes? The effect of package shape on how much to buy , 2005 .

[34]  Erin Anderson,et al.  Inducing Multiline Salespeople to Adopt House Brands , 1995 .

[35]  Jan P.L. Schoormans,et al.  The effect of new package design on product attention, categorization and evaluation , 1997 .

[36]  Marjorie B. Platt,et al.  The Impact of Industrial Design Effectiveness on Corporate Financial Performance , 2005 .

[37]  Bryan Lawson,et al.  How Designers Think , 1980 .

[38]  Brigitte Borja de Mozota,et al.  Design Management: Using Design to Build Brand Value and Corporate Innovation , 2003 .

[39]  Marvin Berkowitz,et al.  The Influence of Shape on Product Preferences , 1987 .

[40]  P. Quester,et al.  The influence of consumption situation and product involvement over consumers’ use of product attribute , 1998 .

[41]  B. Wansink Can Package Size Accelerate Usage Volume? , 1995 .

[42]  R. Elliott,et al.  Brands as symbolic resources for the construction of identity , 1998 .

[43]  K. Grammer,et al.  Human (Homo sapiens) facial attractiveness and sexual selection: the role of symmetry and averageness. , 1994, Journal of comparative psychology.

[44]  Eva M. Hyatt,et al.  The Effects of Food Color on Perceived Flavor , 2000 .

[45]  M. Just,et al.  Language comprehension: sentence and discourse processing. , 1995, Annual review of psychology.

[46]  Lawrence L. Garber,et al.  The role of package color in consumer purchase consideration and choise , 2000 .

[47]  Ulrich R. Orth,et al.  Dimensions of wine region equity and their impact on consumer preferences , 2005 .

[48]  V. Folkes,et al.  The effect of package shape on consumers' judgments of product volume: Attention as a mental contaminant , 2004 .

[49]  Loren V. Geistfeld,et al.  The Concept and Measurement of a Hierarchy of Product Characteristics , 1977 .

[50]  Jaideep Sengupta,et al.  Two Roads to Updating Brand Personality Impressions: Trait versus Evaluative Inferencing , 2005 .

[51]  J. Aaker,et al.  When Good Brands Do Bad , 2004 .

[52]  Priya Raghubir,et al.  Ratios in Proportion: What Should the Shape of the Package Be? , 2006 .

[53]  Elizabeth C. Hirschman,et al.  The Effect of Verbal and Pictorial Advertising Stimuli on Aesthetic, Utilitarian and Familiarity Perceptions , 1986 .

[54]  Joseph A. Cote,et al.  Impression Management using Typeface Design , 2004 .

[55]  K. Sivakumar Role of price and quality tiers on the cluster effect in brand choice , 1995 .

[56]  M. Sirgy,et al.  Self-Concept in Consumer Behavior: A Critical Review , 1982 .

[57]  M. Wertheimer Untersuchungen zur Lehre von der Gestalt. II , 1923 .

[58]  J. Sweeney,et al.  Brand personality: Exploring the potential to move from factor analytical to circumplex models , 2006 .

[59]  Bernd H. Schmitt,et al.  Managing corporate image and identity , 1995 .

[60]  Lauren Sue Seifert,et al.  Experimental aesthetics : implications for aesthetic education of naive art observers , 1992 .

[61]  Ruth Rettie,et al.  The verbal and visual components of package design , 2000 .

[62]  Lyle Brenner,et al.  On Decisions That Lead to Decisions: Direct and Derived Evaluations of Preference , 2004 .

[63]  Spencer F. Tinkham,et al.  Brand Personality Structures in the United States and Korea: Common and Culture-Specific Factors , 2005 .

[64]  M. Holbrook Aims, Concepts, and Methods for the Representation of Individual Differences in Esthetic Responses to Design Features , 1986 .

[65]  B. Kahn,et al.  The Influence of External Constraints on Brand Choice: The Lone-Alternative Effect , 1991 .

[66]  Robert W. Veryzer A nonconscious processing explanation of consumer response to product design , 1999 .

[67]  R. Belk Possessions and the Extended Self , 1988 .

[68]  Kevin Lane Keller Conceptualizing, Measuring, and Managing Customer-Based Brand Equity , 1993 .

[69]  N. Schwarz,et al.  Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver's Processing Experience? , 2004, Personality and social psychology review : an official journal of the Society for Personality and Social Psychology, Inc.