Likes and views: Investigating internet video content creators perceptions of popularity

Powered by TCPDF (www.tcpdf.org) This material is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. Törhönen, Maria; Sjöblom, Max; Hamari, Juho

[1]  Joseph Macey,et al.  Content structure is king: An empirical study on gratifications, game genres and content type on Twitch , 2017, Comput. Hum. Behav..

[2]  Fang Wu,et al.  Social Networks that Matter: Twitter Under the Microscope , 2008, First Monday.

[3]  George Ritzer,et al.  Focusing on the Prosumer , 2010 .

[4]  B. Huberman.  Social Computing and the Attention Economy , 2012, Journal of Statistical Physics.

[5]  Alice E. Marwick.  You May Know Me from YouTube: (Micro‐)Celebrity in Social Media , 2015 .

[6]  Julian R. Kücklich,et al.  Precarious Playbour: Modders and the Digital Games Industry , 2005 .

[7]  Anne Helmond,et al.  The like economy: Social buttons and the data-intensive web , 2013, New Media Soc..

[8]  Andruid Kerne,et al.  Streaming on twitch: fostering participatory communities of play within live mixed media , 2014, CHI.

[9]  George Ritzer,et al.  Prosumer Capitalism , 2015 .

[10]  Theresa M. Senft.  Microcelebrity and the Branded Self , 2013 .

[11]  Florencia García-Rapp.  Popularity markers on YouTube’s attention economy: the case of Bubzbeauty , 2017 .

[12]  C. Fuchs.  Digital prosumption labour on social media in the context of the capitalist regime of time , 2014 .

[13]  Vili Lehdonvirta,et al.  Virtual Economies: Design and Analysis , 2014 .

[14]  Juho Hamari,et al.  Why do people watch others play video games? An empirical study on the motivations of Twitch users , 2017, Comput. Hum. Behav..

[15]  Alice E. Marwick,et al.  To See and Be Seen: Celebrity Practice on Twitter , 2011 .

[16]  I. Goodwin,et al.  Precarious Popularity: Facebook Drinking Photos, the Attention Economy, and the Regime of the Branded Self , 2016 .

[17]  Rachel Berryman,et al.  Crying on YouTube , 2018 .