A Statistical Approach to Tracing the Historical Development of Major and Minor Pitch Distributions, 1400-1750

A large-scale study is reported whose purpose was to elucidate the historical development of the European major and minor modes. The study involved 455 musical works by 259 composers sampled across the years 1400 to 1750. Beginning with the period 1700-1750, a series of statistical studies was carried out on the distribution of scale tones, progressively moving backward in time. The method utilized a modified method of key determination – generalized to handle an arbitrary number of modal classifications. The results from cluster analyses on this data are consistent with the view that the modern major and minor modes have changed over time and were preceded by a system in which there were more than just two modes.

[1]  C. Krumhansl,et al.  Tonal hierarchies in the music of north India. , 1984, Journal of experimental psychology. General.

[2]  J. Pearce,et al.  Theories of associative learning in animals. , 2001, Annual review of psychology.

[3]  Héctor Bellmann,et al.  About the Determination of Key of a Musical Excerpt , 2005, CMMR.

[4]  Unjung Nam,et al.  Pitch Distributions in Korean Court Music: Evidence Consistent with Tonal Hierarchies , 1998 .

[5]  Elizabeth K. Johnson,et al.  Statistical learning of tone sequences by human infants and adults , 1999, Cognition.

[6]  Dmitri Tymoczko A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice , 2011 .

[7]  D. Temperley Music and probability , 2006 .

[8]  Justyna Humięcka-Jakubowska,et al.  Sweet Anticipation : Music and , 2006 .

[9]  C. Krumhansl Cognitive Foundations of Musical Pitch , 1990 .

[10]  Richard Parncutt,et al.  AN IMPROVED MODEL OF TONALITY PERCEPTION INCORPORATING PITCH SALIENCE AND ECHOIC MEMORY , 1993 .

[11]  D. Perttu Through nature to eternity: a work for wind ensemble and a quantitative study of chromaticism: changes observed in historical eras and individual composers , 2007 .

[12]  T. Eerola Data-driven influences on melodic expectancy : Continuations in North Sami yoiks rated by South African traditional healers , 2004 .

[13]  C. Krumhansl,et al.  Measuring and Modeling Real-Time Responses to Music: The Dynamics of Tonality Induction , 2003, Perception.

[14]  D. Huron,et al.  A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System , 2006 .

[15]  Daniel Shanahan,et al.  The Use of Large Corpora to Train a New Type of Key-Finding Algorithm: An Improved Treatment of the Minor Mode , 2013 .

[16]  R. Shepard,et al.  Tonal Schemata in the Perception of Music in Bali and in the West , 1984 .

[17]  M. Hauser,et al.  Segmentation of the speech stream in a non-human primate: statistical learning in cotton-top tamarins , 2001, Cognition.

[18]  C. Krumhansl,et al.  Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. , 1982 .