Let's jam the reactable
暂无分享,去创建一个
Eva Hornecker | Paul Marshall | Anna Xambó | Sergi Jordà | Robin C. Laney | Chris Dobbyn | S. Jordà | E. Hornecker | P. Marshall | Anna Xambó | C. Dobbyn | R. Laney
[1] R. Keith Sawyer,et al. Group Creativity: Music, Theater, Collaboration , 2003 .
[2] Yvonne Rogers,et al. Around the table: are multiple-touch surfaces better than single-touch for children's collaborative interactions? , 2009, CSCL.
[3] J. Gillon,et al. Group dynamics , 1996 .
[4] Sara Price,et al. Interfering and resolving: How tabletop interaction facilitates co-construction of argumentative knowledge , 2011, Int. J. Comput. Support. Collab. Learn..
[5] Sergi Jordà,et al. Dynamic patches for live musical performance , 2004 .
[6] Frederick A. Seddon,et al. Modes of communication during jazz improvisation , 2005, British Journal of Music Education.
[7] Lev Vygotsky. Mind in society , 1978 .
[8] Pierre Dillenbourg,et al. Interactive tabletops in education , 2011, Int. J. Comput. Support. Collab. Learn..
[9] Kyle Gann,et al. Silence : lectures and writings , 2011 .
[10] Michael S. Horn,et al. Tangible programming and informal science learning: making TUIs work for museums , 2008, IDC.
[11] Peter Wittenburg,et al. Annotation by Category: ELAN and ISO DCR , 2008, LREC.
[12] James Gibson,et al. Block Jam: A Tangible Interface for Interactive Music , 2003, NIME.
[13] Karen Littleton,et al. Issues and techniques for collaborative music making on multi-touch surfaces , 2010 .
[14] John Rooksby,et al. Wild in the Laboratory: A Discussion of Plans and Situated Actions , 2013, TCHI.
[15] M. Sheelagh T. Carpendale,et al. Territoriality in collaborative tabletop workspaces , 2004, CSCW.
[16] William Day. The Ends of Improvisation , 2010 .
[17] 湯淺 太一,et al. 20世紀の名著名論:Seymour Papert: Mindstorms:Children Computers and Powerful Ideas Basic Books New York 1980 , 2005 .
[18] Ingrid T. Monson. Saying Something: Jazz Improvisation and Interaction , 1997 .
[19] Roberto Pugliese,et al. Augmenting human-human interaction in mobile group improvisation , 2012, NIME.
[20] Pattie Maes,et al. Siftables: towards sensor network user interfaces , 2007, TEI.
[21] Michael Gurevich,et al. Collaborative composition and socially constituted instruments: Ensemble laptop performance through the lens of ethnography , 2012, NIME.
[22] L. Witmer. The Montessori Method , 1914, The Psychological clinic.
[23] Meredith Ringel Morris,et al. Beyond "social protocols": multi-user coordination policies for co-located groupware , 2004, CSCW.
[24] Orit Shaer,et al. G-nome surfer: a tabletop interface for collaborative exploration of genomic data , 2010, CHI.
[25] Seymour Papert,et al. Mindstorms: Children, Computers, and Powerful Ideas , 1981 .
[26] J. Sloboda. Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition , 1985 .
[27] M. Sheelagh T. Carpendale,et al. Gestures in the wild: studying multi-touch gesture sequences on interactive tabletop exhibits , 2011, CHI.
[28] Gerald Penn,et al. Living with a Tabletop: Analysis and Observations of Long Term Office Use of a Multi-Touch Table , 2007, Second Annual IEEE International Workshop on Horizontal Interactive Human-Computer Systems (TABLETOP'07).
[29] Hiroshi Ishii,et al. Radical atoms: beyond tangible bits, toward transformable materials , 2012, INTR.
[30] Murphy McCaleb. Embodied knowledge in ensemble performance : the case of informed observation , 2011 .
[31] Sergi Jordà. Multi-user Instruments: Models, Examples and Promises , 2005, NIME.
[32] Bertrand Schneider,et al. Phylo-Genie: engaging students in collaborative 'tree-thinking' through tabletop techniques , 2012, CHI.
[33] Michael S. Horn,et al. Of BATs and APEs: an interactive tabletop game for natural history museums , 2012, CHI.
[34] Mitchel Resnick,et al. Extending tangible interfaces for education: digital montessori-inspired manipulatives , 2005, CHI.
[35] Yvonne Rogers,et al. Rethinking 'multi-user': an in-the-wild study of how groups approach a walk-up-and-use tabletop interface , 2011, CHI.
[36] Miller Puckette,et al. Max at Seventeen , 2002, Computer Music Journal.
[37] Ben Swift,et al. Becoming-sound: affect and assemblage in improvisational digital music making , 2012, CHI.
[38] Elise van den Hoven,et al. Exploring How Tangible Tools Enable Collaboration in a Multi-touch Tabletop Game , 2011, INTERACT.
[39] Etienne Wenger,et al. Situated Learning: Legitimate Peripheral Participation , 1991 .
[40] Yvonne Rogers,et al. Fighting for control: children's embodied interactions when using physical and digital representations , 2009, CHI.
[41] Alexander Refsum Jensenius,et al. Musical Gestures: concepts and methods in research , 2010 .
[42] Xiang Cao,et al. Telling the whole story: anticipation, inspiration and reputation in a field deployment of TellTable , 2010, CSCW '10.
[43] J. Cole,et al. Enacting Intersubjectivity: A Cognitive and Social Perspective on the Study of Interactions , 2008 .
[44] Nick Bryan-Kinns,et al. Inter-Play : Understanding Group Music Improvisation as a Form of Everyday Interaction , 2005 .
[45] Michael S. Horn,et al. It's just a toolbar!: using tangibles to help children manage conflict around a multi-touch tabletop , 2010, TEI.
[46] K. Gegenfurtner,et al. Design Issues in Gaze Guidance Under review with ACM Transactions on Computer Human Interaction , 2009 .
[47] Anne Marie Piper,et al. Tabletop displays for small group study: affordances of paper and digital materials , 2009, CHI.
[48] Nick Bryan-Kinns,et al. Hey Man, You're Invading my Personal Space ! Privacy and Awareness in Collaborative Music , 2010, NIME.
[49] Frank O'Malley,et al. The Education of Man , 1944, The Review of Politics.
[50] Gil Weinberg,et al. Interconnected Musical Networks: Toward a Theoretical Framework , 2005, Computer Music Journal.
[51] Peter Manuel. Improvisation in Latin Dance Music: History and style , 1998 .
[52] Robert A. Moog,et al. Voltage Controlled Electronic Music Modules , 1964 .
[53] Sergi Jordà,et al. Digital Instruments and Players: Part II-Diversity, Freedom and Control , 2004, ICMC.
[54] Austin Henderson,et al. Interaction Analysis: Foundations and Practice , 1995 .
[55] Yvonne Rogers,et al. Collaboration and interference: awareness with mice or touch input , 2008, CSCW.
[56] M. Sheelagh T. Carpendale,et al. Theory of Tabletop Territoriality , 2010, Tabletops.
[57] Derek Bailey. Improvisation: Its nature and practice in music , 1980 .
[58] Allan Kuchinsky,et al. Video-as-data: Technical and social aspects of a collaborative multimedia application , 1995, Computer Supported Cooperative Work (CSCW).
[59] J. Roschelle. Learning by Collaborating: Convergent Conceptual Change , 1992 .
[60] Pierre Dillenbourg,et al. Paper-based concept map: the effects of tabletop on an expressive collaborative learning task , 2009, BCS HCI.
[61] Paul Marshall,et al. Beyond one-size-fits-all: how interactive tabletops support collaborative learning , 2011, IDC.
[62] Tina Blaine,et al. Contexts of Collaborative Musical Experiences , 2003, NIME.
[63] Lucy A. Suchman,et al. Plans and Situated Actions: The Problem of Human-Machine Communication (Learning in Doing: Social, , 1987 .
[64] Nick Bryan-Kinns,et al. Mutual engagement and collocation with shared representations , 2013, Int. J. Hum. Comput. Stud..
[65] John A. Sloboda,et al. The role of practice in the development of performing musicians , 1996 .
[66] Jeff Pressing,et al. Improvisation: Methods and models. , 1988 .
[67] Sergi Jordà,et al. On stage: the reactable and other musical tangibles go real , 2008, Int. J. Arts Technol..
[68] Eva Hornecker,et al. “I don’t understand it either, but it is cool” - visitor interactions with a multi-touch table in a museum , 2008, 2008 3rd IEEE International Workshop on Horizontal Interactive Human Computer Systems.
[69] Peter E. Keller,et al. Joint action in music performance , 2008 .
[70] Bruno Nettl,et al. In the course of performance : studies in the world of musical improvisation , 1999 .
[71] Jonathan Grudin,et al. Groupware and social dynamics: eight challenges for developers , 1994, CACM.
[72] Fabio Pianesi,et al. The role of psychological ownership and ownership markers in collaborative working environment , 2006, ICMI '06.
[73] Jeff Pressing,et al. Cognitive Processes in Improvisation , 1984 .
[74] Curtis Roads,et al. The Computer Music Tutorial , 1996 .
[75] 音樂學系. Improvisation: , 2018, The Poem Electric.
[76] Satoshi Kawase. An Exploratory Study of Gazing Behavior During Live Performance , 2009 .
[77] James McCartney,et al. Rethinking the Computer Music Language: SuperCollider , 2002, Computer Music Journal.
[78] Emma Mercier,et al. Multi-touch tables and the relationship with collaborative classroom pedagogies: A synthetic review , 2011, Int. J. Comput. Support. Collab. Learn..
[79] M. Cole,et al. Mind in society: The development of higher psychological processes. L. S. Vygotsky. , 1978 .