Age Changes in the Ability to Interpret Affect in Sung and Instrumentally-Presented Melodies
暂无分享,去创建一个
[1] C. P. Heinlein. The affective characters of the major and minor modes in music. , 1928 .
[2] Kate Hevner,et al. The affective character of the major and minor mode in music , 1935 .
[3] L. Frank. The Society for Research in Child Development , 1935 .
[4] S. Langer. Feeling and Form , 1953 .
[5] P. Farnsworth. A STUDY OF THE HEVNER ADJECTIVE LIST , 1954 .
[6] Robert O. Gjerdingen,et al. The psychology of music , 2002 .
[7] Alteration of mood via music: a study of the vectoring effect. , 1970, The Journal of psychology.
[8] J. Kaswan,et al. Perception of contradictory meanings conveyed by verbal and nonverbal channels. , 1970, Journal of personality and social psychology.
[9] R. Eisenberg. The organization of auditory behavior. , 1970, Journal of speech and hearing research.
[10] K. Scherer,et al. Minimal cues in the vocal communication of affect: Judging emotions from content-masked speech , 1972, Journal of psycholinguistic research.
[11] R. Kearsley,et al. The newborn's response to auditory stimulation: a demonstration of orienting and defensive behavior. , 1973, Child development.
[12] Howard Gardner,et al. Children's Sensitivity to Musical Styles. , 1973 .
[13] K. Burns,et al. Significance of vocal and visual channels in the decoding of emotional meaning. , 1973, The Journal of communication.
[14] J Kagan,et al. Infant attention to auditory discrepancy. , 1976, Child development.
[15] Jugement esthétique et perception de l'enfant, entre 4 et 10 ans, dans des épreuves rythmiques , 1976 .
[16] K. Scherer,et al. Cue utilization in emotion attribution from auditory stimuli , 1977 .
[17] W. Dowling. Scale and contour: Two components of a theory of memory for melodies. , 1978 .
[18] R. Plutchik. Emotion, a psychoevolutionary synthesis , 1980 .
[19] Musical psychodrama: a new direction in music therapy. , 1980, Journal of music therapy.
[20] R. Greer. Psychological Foundations of Music Behavior , 1981 .
[21] F. Keil,et al. Acquisition of the hierarchy of tonal functions in music , 1982, Memory & cognition.
[22] T. Field,et al. Production and perception of facial expressions in infancy and early childhood. , 1982, Advances in child development and behavior.
[23] T. Field,et al. Production and discrimination of facial expressions by preschool children. , 1982, Child development.
[24] M. Lewis,et al. Children’s Emotions and Moods , 1983 .
[25] J. Russell,et al. Preschool Children's Interpretation of Facial Expressions of Emotion , 1984 .
[26] S. Trehub,et al. Infants' perception of melodies: the role of melodic contour. , 1984, Child development.
[27] Patricia Noller,et al. Video primacy—A further look , 1985 .
[28] S. Rohner. Cognitive-emotional response to music as a function of musical and cognitive complexity , 1985 .
[29] J. Speer,et al. School children's perception of pitch in music. , 1985 .
[30] K. G. Dolgin,et al. Chapter 13 – The Development of the Ability to Interpret Emotional Signals—What Is and Is Not Known , 1985 .
[31] R. Baumeister. The Championship Choke , 1985 .
[32] D. Hargreaves. The Developmental Psychology of Music by David J. Hargreaves , 1986 .
[33] C. Camp,et al. Musical mood induction: an alternative to the Velten technique. , 1986, Journal of Abnormal Psychology.
[34] Nathan A. Fox,et al. Preschool children's ability to identify and label emotions , 1986 .
[35] D. Hargreaves. The developmental psychology of music , 1987 .
[36] S. Feldstein,et al. The Telltale Voice: Nonverbal Messages of Verbal Communication , 1987 .