Age Changes in the Ability to Interpret Affect in Sung and Instrumentally-Presented Melodies

The purpose of this study was to determine the age at which children begin to recognise the affective qualities in sung and instrumentally-presented melodies. Four, seven, and nine-year-old children who had been pretested for comprehension of emotional concepts listened to melodies that had been rated by adults as either (1) happy, (2) sad, (3) angry, or (4) frightened- sounding. The melodies were presented in two modalities: soprano voice singing nonsense syllables, and viola. Overall volume levels were held constant, although many other features were varied. The data indicated that thete are age changes in this ability, that modality does in some instances play a role in emotional comprehension, and that some of the emotions are easier to interpret than others. There are also interaction effects among the factors.

[1]  C. P. Heinlein The affective characters of the major and minor modes in music. , 1928 .

[2]  Kate Hevner,et al.  The affective character of the major and minor mode in music , 1935 .

[3]  L. Frank The Society for Research in Child Development , 1935 .

[4]  S. Langer Feeling and Form , 1953 .

[5]  P. Farnsworth A STUDY OF THE HEVNER ADJECTIVE LIST , 1954 .

[6]  Robert O. Gjerdingen,et al.  The Psychology of Music , 1972 .

[7]  Alteration of mood via music: a study of the vectoring effect. , 1970, The Journal of psychology.

[8]  J. Kaswan,et al.  Perception of contradictory meanings conveyed by verbal and nonverbal channels. , 1970, Journal of personality and social psychology.

[9]  R. Eisenberg The organization of auditory behavior. , 1970, Journal of speech and hearing research.

[10]  K. Scherer,et al.  Minimal cues in the vocal communication of affect: Judging emotions from content-masked speech , 1972, Journal of psycholinguistic research.

[11]  R. Kearsley,et al.  The newborn's response to auditory stimulation: a demonstration of orienting and defensive behavior. , 1973, Child development.

[12]  Howard Gardner,et al.  Children's Sensitivity to Musical Styles. , 1973 .

[13]  K. Burns,et al.  Significance of vocal and visual channels in the decoding of emotional meaning. , 1973, The Journal of communication.

[14]  J Kagan,et al.  Infant attention to auditory discrepancy. , 1976, Child development.

[15]  Jugement esthétique et perception de l'enfant, entre 4 et 10 ans, dans des épreuves rythmiques , 1976 .

[16]  K. Scherer,et al.  Cue utilization in emotion attribution from auditory stimuli , 1977 .

[17]  W. Dowling Scale and contour: Two components of a theory of memory for melodies. , 1978 .

[18]  R. Plutchik Emotion, a psychoevolutionary synthesis , 1980 .

[19]  Musical psychodrama: a new direction in music therapy. , 1980, Journal of music therapy.

[20]  R. Greer Psychological Foundations of Music Behavior , 1981 .

[21]  F. Keil,et al.  Acquisition of the hierarchy of tonal functions in music , 1982, Memory & cognition.

[22]  T. Field,et al.  Production and perception of facial expressions in infancy and early childhood. , 1982, Advances in child development and behavior.

[23]  T. Field,et al.  Production and discrimination of facial expressions by preschool children. , 1982, Child development.

[24]  M. Lewis,et al.  Children’s Emotions and Moods , 1983 .

[25]  J. Russell,et al.  Preschool Children's Interpretation of Facial Expressions of Emotion , 1984 .

[26]  S. Trehub,et al.  Infants' perception of melodies: the role of melodic contour. , 1984, Child development.

[27]  Patricia Noller,et al.  Video primacy—A further look , 1985 .

[28]  S. Rohner Cognitive-emotional response to music as a function of musical and cognitive complexity , 1985 .

[29]  J. Speer,et al.  School children's perception of pitch in music. , 1985 .

[30]  K. G. Dolgin,et al.  Chapter 13 – The Development of the Ability to Interpret Emotional Signals—What Is and Is Not Known , 1985 .

[31]  R. Baumeister The Championship Choke , 1985 .

[32]  D. Hargreaves The Developmental Psychology of Music by David J. Hargreaves , 1986 .

[33]  C. Camp,et al.  Musical mood induction: an alternative to the Velten technique. , 1986, Journal of Abnormal Psychology.

[34]  Nathan A. Fox,et al.  Preschool children's ability to identify and label emotions , 1986 .

[35]  D. Hargreaves The developmental psychology of music , 1987 .

[36]  S. Feldstein,et al.  The Telltale Voice: Nonverbal Messages of Verbal Communication , 1987 .