Capturing characteristics of the conceptual ideation process of master crafts persons to inform design education: a comparative study of rural craft practitioners in Indonesia and in the UK

At the very early stage of idea generation, allegedly, a master craftsperson encounters cognitive dissonance to maintain beliefs/mindsets from various conceptual stimuli. We aim to capture the underlying form of cognition by examining the structure of thoughts collected from the subjective conceptualisation. A Think-Aloud Protocol was employed to obtain verbalised thoughts of both Indonesian and UK master craftsmen. The keywords of verbalised thoughts were evaluated and extracted using a list of typical mindsets. The evaluated keywords were then analysed by means of a conceptual network to reproduce a model of the individual’s mental state. This study discovered that Indonesian master craftsmen’s conceptualisation is greatly influenced by the strong typical mindsets of Object-attribute that emphasise Rationale and Mastery, which stimulates a pragmatic viewpoint. Furthermore, UK master craftsmen’s conceptualisation greatly considers strong typical mindsets of Object-attribute that emphasise Wisdom and Passionate, which indicates a rigorous mind. This paper reveals that both pragmatic and rigorous mindsets can create potential or barriers for creative cognitive resources.

[1]  A. Ashby,et al.  The Rural Industries of England and Wales. , 1928 .

[2]  W. Gordon Synectics: The Development of Creative Capacity , 1961 .

[3]  F. Solmsen Nature as Craftsman in Greek Thought , 1963 .

[4]  A. Koestler The Act of Creation , 1964 .

[5]  David Pye,et al.  The Nature and Art of Workmanship , 1968 .

[6]  柳 宗悦,et al.  The unknown craftsman : a Japanese insight into beauty , 1978 .

[7]  Jean‐Claude Galey The spirit of apprenticeship in a master craftsman , 1981 .

[8]  Donald A. Sch The reflective practitioner: how professionals think in action , 1983 .

[9]  J. Blair,et al.  English medieval industries : craftsmen, techniques, products , 1992 .

[10]  C. Martindale Creativity and connectionism. , 1995 .

[11]  Ronald A. Finke,et al.  Imagery, Creativity, and Emergent Structure , 1996, Consciousness and Cognition.

[12]  G. Davison,et al.  Think-aloud approaches to cognitive assessment and the articulated thoughts in simulated situations paradigm. , 1997, Journal of consulting and clinical psychology.

[13]  C.J. Atman,et al.  Cognitive processes in iterative design behavior , 1999, FIE'99 Frontiers in Education. 29th Annual Frontiers in Education Conference. Designing the Future of Science and Engineering Education. Conference Proceedings (IEEE Cat. No.99CH37011.

[14]  J. Gero Research Methods for Design Science Research: Computational and Cognitive Approaches , 2001 .

[15]  G. Fauconnier,et al.  The Way We Think: Conceptual Blending and the Mind''s Hidden Complexities. Basic Books , 2002 .

[16]  H. Barrett,et al.  Functional Fixedness in a Technologically Sparse Culture , 2005, Psychological science.

[17]  Ben Jonson,et al.  Design ideation: the conceptual sketch in the digital age , 2005 .

[18]  Philip Steadman,et al.  The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts - revised edition (first published 1979) with new ‘Afterword’ , 2008 .

[19]  Joaquim A. Jorge,et al.  Creativity and HCI: From Experience to Design in Education Selected Contributions from HCIEd 2007, March 29-30, 2007, Aveiro, Portugal , 2008 .

[20]  Andrew Cookson,et al.  E21 The Early Development of the English Rattan Seat : A Comparison of Ming Dynasty Chinese Seating and English Rattan Chairs, 1660-1700 , 2009 .

[21]  V. Glăveanu,et al.  How are we creative together? Comparing sociocognitive and sociocultural answers , 2011 .

[22]  John S. Gero,et al.  Fixation and Commitment While Designing and its Measurement , 2011 .

[23]  A. Klamer Crafting Culture : The importance of craftsmanship for the world of the arts and the economy at large Alternative title Craftsculture : an international comparison , 2012 .

[24]  Georgi V. Georgiev,et al.  Analysis of User Feelings during Interface Operation: Implictions for Creative Design , 2012 .

[25]  Julie S. Linsey,et al.  A Study on the Role of Expertise in Design Fixation and its Mitigation , 2012 .

[26]  Yukari Nagai,et al.  The in-depth cognitive levels of imagination of artisans and designers , 2013 .

[27]  Yukari Nagai,et al.  Empowering cognitive fixedness , 2013, Creativity & Cognition.