An Investigation of Active Tonal Spectrum Control as Applied to the Modern Trumpet

............................................................................................................... ii Acknowledgements.............................................................................................. iii Table of

[1]  John Backus,et al.  Input impedance curves for the reed woodwind instruments , 1974 .

[2]  Erwin Meyer,et al.  Physical and applied acoustics : an introduction , 1972 .

[3]  S. Adachi,et al.  Time‐domain simulation of sound production in the brass instrument , 1995 .

[4]  René Causse,et al.  Input impedance of brass musical instruments—Comparison between experiment and numerical models , 1984 .

[5]  John Backus,et al.  Input impedance curves for the brass instruments , 1976 .

[6]  Daniel w. Martin,et al.  Lip Vibrations in a Cornet Mouthpiece , 1941 .

[7]  Joseph Wheeler,et al.  The trumpet and trombone , 1972 .

[8]  S. Yoshikawa,et al.  Acoustical behavior of brass player's lips. , 1995, The Journal of the Acoustical Society of America.

[9]  Neville H Fletcher,et al.  Excitation mechanisms in woodwind and brass instruments , 1979 .

[10]  L. Milne‐Thomson.  A Treatise on the Theory of Bessel Functions , 1945, Nature.

[11]  Daniel w. Martin.  Directivity and the Acoustic Spectra of Brass Wind Instruments , 1942 .

[12]  R. D. Ayers.  Impulse responses for feedback to the driver of a musical wind instrument , 1996 .

[13]  Hermann von Helmholtz,et al.  On the Sensations of Tone , 1954 .

[14]  Paul Darlington,et al.  Cooling rates of the B♭ trumpet , 1992 .

[15]  Michael A Vaudrey.  A novel approach to multiple reference frequency domain adaptive control , 1996 .

[16]  John Strawn.  Analysis and Synthesis of Musical Transitions Using the Discrete Short-Time Fourier Transform , 1987 .

[17]  Stephen J. Elliott,et al.  Input and transfer response of brass wind instruments , 1982 .

[18]  Scott D. Sommerfeldt,et al.  Simulation of a player‐clarinet system , 1986 .

[19]  R. T. Schumacher.  Ab initio calculations of the oscillations of a clarinet , 1979 .

[20]  R. B. Lindsay,et al.  The Physics of Music , 1962 .

[21]  Bernard Widrow,et al.  Adaptive Signal Processing , 1985 .

[22]  G. Watson.  Bessel Functions. (Scientific Books: A Treatise on the Theory of Bessel Functions) , 1923 .

[23]  John T. Scott,et al.  Fundamentals of musical acoustics , 1976 .

[24]  Adam von Ahn Carse,et al.  Musical Wind Instruments , 1965 .

[25]  F. Galpin.  A textbook of European musical instruments , 1937 .

[26]  John Backus,et al.  Harmonic Generation in the Trumpet , 1971 .

[27]  Jim Woodhouse,et al.  On the fundamentals of bowed string dynamics , 1979 .

[28]  J. G. Woodward.  Resonance Characteristics of a Cornet , 1941 .

[29]  J. M. Bowsher,et al.  Vibration characteristics of brass instrument bells , 1982 .

[30]  Ana Barjau,et al.  Alternatives to the impulse response h(t) to describe the acoustical behavior of conical ducts , 1988 .

[31]  Daniel C. Clatterbuck.  An Investigation of Performance Limitations in Active Noise Reduction Headsets , 1998 .

[32]  Harry F. Olson,et al.  Music, Physics and Engineering , 1967 .

[33]  J. Saneyoshi,et al.  Feedback oscillations in reed woodwind and brasswind instruments , 1987 .

[34]  H. P. Knauss,et al.  Vibration of the Walls of a Cornet , 1941 .

[35]  J. M. Bowsher,et al.  Regeneration in brass wind instruments , 1982 .

[36]  R. Dean Ayers.  Two complex effective lengths for musical wind instruments , 1995 .

[37]  Lawrence E. Kinsler,et al.  Fundamentals of acoustics , 1950 .

[38]  Harry F. Olson,et al.  Elements of Acoustical Engineering , 2011, Nature.