Algorithms for guitar-driven synthesis: Application to an augmented guitar

This work studies the use of signal-driven synthesis algorithms applied to an augmented guitar. A robust sub-octave generator, partially modeled after a classic audio-driven monophonic guitar synthesizer design of the 1970s is presented. The performance of the proposed system is evaluated within the context of an augmented active guitar with an actuated sound box. Results of the evaluation show that the design represents an exciting augmentation for the instrument, as it radically transforms the sound of the electric guitar while remaining responsive to the full range of the guitar playing gestures.

[1]  A. Pugh The art of electronics. 2nd edn: By Paul Horowitz and Winfield Hill. Pp. 1125. Cambridge University Presss. 1989. £29.95, US$49.50 , 1990 .

[2]  Vesa Välimäki,et al.  Introduction to the Special Issue on Virtual Analog Audio Effects and Musical Instruments , 2010, IEEE Trans. Speech Audio Process..

[3]  Richard Graham,et al.  SEPTAR: Audio Breakout Circuit for Multichannel Guitar , 2015, NIME 2015.

[4]  Vesa Välimäki,et al.  Recent Advances in Real-Time Musical Effects, Synthesis, and Virtual Analog Models , 2011, EURASIP J. Adv. Signal Process..

[5]  Aaron Wishnick Time-Varying Filters for Musical Applications , 2014, DAFx.

[6]  David Friend An Integrated Guitar Synthesizer for Live Performance , 1977 .

[7]  Christian Frisson,et al.  Multimodal Guitar: A Toolbox For Augmented Guitar Performances , 2010, NIME.

[8]  Otso Lähdeoja,et al.  An Approach to Instrument Augmentation: the Electric Guitar , 2008, NIME.

[9]  Carlo Fischione,et al.  Smart instruments : Towards an ecosystem of interoperable devices connecting performers and audiences , 2019 .

[10]  Roger B. Dannenberg,et al.  Audio signal Driven sound synthesis , 2005, ICMC.

[11]  Jonathan S. Abel,et al.  SIMPLIFIED, PHYSICALLY-INFORMED MODELS OF DISTORTION ANDOVERDRIVE GUITAR EFFECTS PEDALS , 2007 .

[12]  Martin Holters,et al.  Physical Modeling of the MXR Phase 90 Guitar Effect Pedal , 2014, DAFx.

[13]  Joseph Timoney,et al.  The Generation of Natural-Synthetic Spectra by Means of Adaptive Frequency Modulation , 2008, Computer Music Journal.

[14]  Miller Puckette Patch for guitar , 2007 .

[15]  Carlo Fischione,et al.  Examples of use cases with Smart Instruments , 2017, Audio Mostly Conference.

[17]  Victor Lazzarini Erratum: New Digital Musical Instruments: Control and Interaction Beyond the Keyboard , 2008, Computer Music Journal.