Fechner revisited: Towards an inclusive approach to aesthetics

Abstract Accepting Bullot & Reber's (B&R's) criteria for art appreciation would confine the study of aesthetics to those works for which historical information is available, mainly post–eighteenth-century Western “high art.” We reject their contention that “correct” artistic understanding is limited to experts with detailed knowledge or education in art, which implies a narrowly elitist conception of aesthetics. Scientific aesthetics must be broadly inclusive.

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