The Influence of Expertise upon the Designer's Approach to Studio Practice and Tool Use

ABSTRACT Industrial design is characterized by the embodiment of design intentions. From conceptualization through to design specification, the designer employs a variety of design tools to externalize and develop design solutions to often ill-defined design problems. Surveys of student and practicing designers synthesise existing theoretical and empirical studies of design practice to analyse designer attitudes towards tool use and effectiveness. The survey studies illustrate the influence of expertise upon the designer's attitudes towards tool use during studio practice. Results indicate a relationship between limited experience and the designer's perceptions of and approaches to iterative exploration and design divergence. The use of certain designerly tools appear to compound a tendency for design convergence and fixation.

[1]  Bryan Lawson,et al.  What designers know , 2018, The Design Student’s Journey.

[2]  R. Hamel,et al.  Sketching and creative discovery , 1998 .

[3]  Gabriela Goldschmidt,et al.  Design Representation: Private Process, Public Image , 2004 .

[4]  Paul Rodgers,et al.  Visible ideas:Information patterns of conceptual sketch activity , 1998 .

[5]  Halime Demirkan,et al.  An insight on designers’ sketching activities in traditional versus digital media , 2003 .

[6]  Chris Baber Cognition and Tool Use: Forms of Engagement in Human and Animal Use of Tools , 2003 .

[7]  Judy Attfield Material Culture in the Social World , 2002 .

[8]  Paul Dourish,et al.  Where the action is , 2001 .

[9]  Victoria Hoban,et al.  The Reflective Practitioner , 2013 .

[10]  Willemien Visser,et al.  The Cognitive Artifacts of Designing , 2006 .

[11]  Pamela L. Alreck,et al.  The Survey Research Handbook , 1984 .

[12]  Terri Gullickson Social Research Methods (3rd ed.). , 1995 .

[13]  Dick Powell Presentation Techniques: A Guide to Drawing and Presenting Design Ideas , 1990 .

[14]  Lassi A. Liikkanen,et al.  Exploring problem decomposition in conceptual design among novice designers , 2009 .

[15]  Hubert L. Dreyfus,et al.  Mind over Machine: The Power of Human Intuition and Expertise in the Era of the Computer , 1987, IEEE Expert.

[16]  Alan Pipes Drawing for Designers , 2007 .

[17]  Laura Slack,et al.  Product Design , 2022, Lean Management.

[18]  Ben Jonson,et al.  Design ideation: the conceptual sketch in the digital age , 2005 .

[19]  Koos Eissen,et al.  Sketching: The Basics , 2011 .

[20]  A. Bryman Social Research Methods , 2001 .

[21]  Gabriela Goldschmidt,et al.  Capturing indeterminism: representation in the design problem space , 1997 .

[22]  Jennifer Hudson Process: 50 Product Designs from Concept to Manufacture , 2008 .

[23]  D. Schoen,et al.  The Reflective Practitioner: How Professionals Think in Action , 1985 .

[24]  Robert Newman,et al.  Sketching, concept development and automotive design , 2003 .

[25]  Andrew Bolton Design and development , 1999 .

[26]  D. Dooley Social Research Methods , 1990 .

[27]  Eujin Pei,et al.  A Taxonomic Classification of Visual Design Representations Used by Industrial Designers and Engineering Designers , 2011 .

[28]  Nigel Cross,et al.  Engineering Design Methods: Strategies for Product Design (4th ed.) , 2008 .

[29]  Margot Brereton,et al.  Distributed Cognition in Engineering Design: Negotiating between abstract and material representations , 2004 .

[30]  David Radcliffe,et al.  Impact of CAD tools on creative problem solving in engineering design , 2009, Comput. Aided Des..

[31]  Paul Rodgers,et al.  Using concept sketches to track design progress , 2000 .

[32]  Eva Hornecker,et al.  Sketches, Drawings, Diagrams, Physical Models, Prototypes, and Gesture as Representational Forms , 2007 .

[33]  N. Cross Designerly ways of knowing , 2006 .

[34]  David Wallace,et al.  An evaluation of haptic feedback modelling during industrial design practice , 2005 .

[35]  Nigel Cross,et al.  Engineering Design Methods: Strategies for Product Design , 1994 .

[36]  D. Schoen The Reflective Practitioner , 1983 .

[37]  Jeroen J. G. van Merriënboer,et al.  The design way , 2005, Br. J. Educ. Technol..

[38]  Tomás Dorta,et al.  The ideation gap:: hybrid tools, design flow and practice , 2008 .

[39]  Jonathan Fish Cognitive Catalysis: Sketches for a Time-lagged Brain , 2004 .

[40]  Michael Tovey,et al.  Sketching and direct CAD modelling in automotive design , 2000 .

[41]  V. Goel Sketches of thought , 1995 .

[42]  James Andrew Self,et al.  The use of design tools in industrial design practice , 2011 .

[43]  Karl T. Ulrich,et al.  Product Design and Development , 1995 .

[44]  Bahar Sener,et al.  User evaluation of HCI concepts for defining product form , 2008 .

[45]  Sheffield Hallam,et al.  Designerly Tools , 2012 .

[46]  Jonathon W. Moses,et al.  Ways of Knowing , 2007 .

[47]  Erik Stolterman,et al.  The Design Way: Intentional Change in an Unpredictable World , 2002 .