Opportunities for Evolutionary Music Composition
暂无分享,去创建一个
[1] Peter M. Todd,et al. Frankensteinian methods for evolutionary music composition , 1999 .
[2] Robert Rowe,et al. Interactive Music Systems: Machine Listening and Composing , 1992 .
[3] Alan Dorin,et al. Boolean Networks for the Generation of Rhythmic Structure , 2000 .
[4] Mitchell Whitelaw. Chapter 3 – Breeding Aesthetic Objects: Art and Artificial Evolution , 2002 .
[5] Eduardo Reck Miranda,et al. On the origins and evolution of music in virtual worlds , 2001 .
[6] H. Hendriks-jansen,et al. In Praise of Interactive Emergence: Or Why Explanations Don''t Have to Wait for Implementations , 1989 .
[7] L. D. Tsitsipis,et al. Universe of the Mind: A Semiotic Theory of Culture , 1993 .
[8] Charles Ames,et al. Cybernetic composer: an overview , 1992 .
[9] Stephen Todd,et al. Evolutionary Art and Computers , 1992 .
[10] James Anderson Moorer. Music and computer composition , 1972, CACM.
[11] Robert Rowe,et al. Machine Musicianship , 2001 .
[12] Karl Sims,et al. Evolving 3D Morphology and Behavior by Competition , 1994, Artificial Life.
[13] John A. Biles,et al. GenJam: evolution of a jazz improviser , 2001 .
[14] John A. Biles,et al. GenJam: A Genetic Algorithm for Generating Jazz Solos , 1994, ICMC.
[15] P. Todd,et al. Musical networks: Parallel distributed perception and performance , 1999 .
[16] Artemis Moroni,et al. Vox Populi: An Interactive Evolutionary System for Algorithmic Music Composition , 2000, Leonardo Music Journal.
[17] Paul Berg. Abstracting the Future: The Search for Musical Constructs , 1996 .
[18] Bruno Degazio. The Evolution of Musical Organisms , 1996, ICMC.
[19] Otto E. Laske,et al. Artificial Intelligence and music: a cornerstone of cognitive musicology , 1992 .
[20] Eduardo Miranda,et al. Composing Music with Computers , 2001 .
[21] Peter M. Todd,et al. Connectionist Music Composition Based on Melodic, Stylistic, and Psychophysical Constraints , 2003 .
[22] Craig W. Reynolds. Flocks, herds, and schools: a distributed behavioral model , 1987, SIGGRAPH.
[23] James P. Ignizio,et al. Foreword , 1996, Comput. Oper. Res..
[24] M. Boden. The Philosophy of Artificial Life , 1996 .
[25] R. Jackendoff,et al. A Generative Theory of Tonal Music , 1985 .
[26] R. Lewontin. ‘The Selfish Gene’ , 1977, Nature.
[27] Andrew R. Brown,et al. Modes of Compositional Engagement , 2001 .
[28] Mira Balaban,et al. Understanding music with AI: perspectives on music cognition , 1992 .
[29] Susan Wright,et al. Towards Melodic Extension Using Genetic Algorithms , 2001, J. Educ. Technol. Soc..
[30] D. Cope. Virtual Music: Computer Synthesis of Musical Style , 2001 .