A novel approach to documenting artifacts at the Gold Museum in Bogota

We present our work on novel digitizing techniques to create virtual exhibitions in the context of the Gold Museum in Bogota, Colombia, a world renown space for precious pre-Colombian gold artifacts. In order to solve issues related to high specular reflection in gold artifacts, we developed a multi-spectral approach that solves some of the shortfalls of many commercial scanners. We also integrated commercial haptic devices into a new virtual installation that allows visitors to touch, hear, and see virtual approximations of the real objects. As an evaluation methodology, we compare the results of a scanner with normal light with our approach, and we also present results from user studies on our virtual installation.

[1]  Matthew Butler,et al.  Object appreciation through haptic interaction , 2008 .

[2]  Linda R. Elliott,et al.  Comparing the effects of visual-auditory and visual-tactile feedback on user performance: a meta-analysis , 2006, ICMI '06.

[3]  David S. Ebert,et al.  Haptic Identification of Stiffness and Force Magnitude , 2008, 2008 Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems.

[4]  Robert L. Cook,et al.  A Reflectance Model for Computer Graphics , 1987, TOGS.

[5]  Maria Roussou,et al.  A versatile large-scale multimodal VR system for cultural heritage visualization , 2006, VRST '06.

[6]  Gabriele Guidi,et al.  Three-dimensional acquisition of large and detailed cultural heritage objects , 2006, Machine Vision and Applications.

[7]  Glenn Healey,et al.  Using color for geometry-insensitive segmentation , 1989 .

[8]  Yutaka Ishibashi,et al.  Surveys of exhibition planners and visitors about a distributed haptic museum , 2005, ACE '05.

[9]  Hongbin Zha,et al.  8th Asian Conference on Computer Vision , 2007 .

[10]  Taku Komura,et al.  Computing inverse kinematics with linear programming , 2005, VRST '05.

[11]  Maarten Vergauwen,et al.  Image-based 3D acquisition of archaeological heritage and applications , 2001, VAST '01.

[12]  Stephen D. Laycock,et al.  Haptic Navigation and Exploration of High Quality Pre-rendered Environments , 2006, VAST.

[13]  Luca Poletto,et al.  A System for 3D Modeling Frescoed Historical Buildings with Multispectral Texture Information , 2006, Machine Vision and Applications.

[14]  Mumin Song,et al.  Overview of three-dimensional shape measurement using optical methods , 2000 .

[15]  Pau Gargallo,et al.  General Specular Surface Triangulation , 2006, ACCV.

[16]  Marc Rioux,et al.  Active Optical 3D Imaging for Heritage Applications , 2002, IEEE Computer Graphics and Applications.

[17]  Hans-Peter Seidel,et al.  3D acquisition of mirroring objects using striped patterns , 2005, Graph. Model..

[18]  Flavio Prieto,et al.  Multi-modal exploration of small artifacts: an exhibition at the Gold Museum in Bogota , 2009, VRST '09.

[19]  Taku Komura,et al.  Topology matching for fully automatic similarity estimation of 3D shapes , 2001, SIGGRAPH.

[20]  François Blais Review of 20 years of range sensor development , 2004, J. Electronic Imaging.

[21]  Wolfgang Heidrich,et al.  TimbreFields: 3D Interactive Sound Models for Real-Time Audio , 2007, PRESENCE: Teleoperators and Virtual Environments.

[22]  野間 春生,et al.  Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems 参加報告 , 1997 .

[23]  W. Brent Seales,et al.  Petroglyph digitization: enabling cultural heritage scholarship , 2006, Machine Vision and Applications.

[24]  Henry R. Kang Computational Color Technology , 2006 .

[25]  J.-Angelo Beraldin,et al.  Recent Developments in 3D Multi-modal Laser Imaging Applied to Cultural Heritage , 2006, Machine Vision and Applications.

[26]  Taku Komura,et al.  Motion editing with data glove , 2004, ACE '04.

[27]  Krzysztof Walczak,et al.  Cultural heritage applications of virtual reality , 2003, Web3D '03.

[28]  Stephen Brewster,et al.  Impact of haptic 'touching' technology on cultural applications , 2005 .

[29]  Dinesh K. Pai,et al.  Scanning physical interaction behavior of 3D objects , 2001, SIGGRAPH.

[30]  Martin White,et al.  The EPOCH Multimodal Interface for Interacting with Digital Heritage Artefacts , 2006, VSMM.

[31]  Gaurav S. Sukhatme,et al.  The Haptic Museum , 2000 .

[32]  John Park MULTI-PEAK RANGE IMAGING FOR ACCURATE 3 D RECONSTRUCTION OF SPECULAR OBJECTS , 2003 .

[33]  Antonio Frisoli,et al.  Haptics technologies and cultural heritage applications , 2002, Proceedings of Computer Animation 2002 (CA 2002).

[34]  Hongbin Zha,et al.  Interactive Technologies and Sociotechnical Systems, 12th International Conference, VSMM 2006, Xi'an, China, October 18-20, 2006, Proceedings , 2006, VSMM.

[35]  David Salesin,et al.  Environment matting extensions: towards higher accuracy and real-time capture , 2000, SIGGRAPH.

[36]  Kiriakos N. Kutulakos,et al.  A Theory of Refractive and Specular 3D Shape by Light-Path Triangulation , 2005, Tenth IEEE International Conference on Computer Vision (ICCV'05) Volume 1.