Similarity and Families of Musical Rhythms
暂无分享,去创建一个
[1] M. R. Jones,et al. Dynamic attending and responses to time. , 1989, Psychological review.
[2] John F. Kolen,et al. Resonance and the Perception of Musical Meter , 1994, Connect. Sci..
[3] M A Pitt,et al. The perceived similarity of auditory polyrhythms , 1987, Perception & psychophysics.
[4] I. Shmulevich,et al. Measures of Temporal Pattern Complexity , 2000 .
[5] Jonathan Evans. Dual-processing accounts of reasoning, judgment, and social cognition. , 2008, Annual review of psychology.
[6] S. Grondin. Timing and time perception: A review of recent behavioral and neuroscience findings and theoretical directions , 2010, Attention, perception & psychophysics.
[7] Henkjan Honing,et al. Without it no music: beat induction as a fundamental musical trait , 2012, Annals of the New York Academy of Sciences.
[8] Arie W Kruglanski,et al. Only One? The Default Interventionist Perspective as a Unimodel—Commentary on Evans & Stanovich (2013) , 2013, Perspectives on psychological science : a journal of the Association for Psychological Science.
[9] Godfried T. Toussaint,et al. Rhythm Complexity Measures: A Comparison of Mathematical Models of Human Perception and Performance , 2008, ISMIR.
[10] Gideon Keren,et al. A Tale of Two Systems , 2013, Perspectives on psychological science : a journal of the Association for Psychological Science.
[11] S Handel,et al. The meter of syncopated auditory polyrhythms , 1981, Perception & psychophysics.
[12] Peter Desain,et al. The Formation of Rhythmic Categories and Metric Priming , 2003, Perception.
[13] L. H. Shaffer,et al. Metre and rhythm in piano playing , 1985, Cognition.
[14] Tellef Kvifte,et al. Categories and Timing: On the Perception of Meter , 2007, Ethnomusicology.
[15] P. Essens,et al. Metrical and nonmetrical representations of temporal patterns , 1985, Perception & psychophysics.
[16] H. C. Longuet-Higgins,et al. The Rhythmic Interpretation of Monophonic Music , 1984 .
[17] Tuomas Eerola,et al. The role of melodic and temporal cues in perceiving musical meter. , 2004, Journal of experimental psychology. Human perception and performance.
[18] M. Zentner,et al. Rhythmic engagement with music in infancy , 2010, Proceedings of the National Academy of Sciences.
[19] Thomas H. Stoffer,et al. Representation of Phrase Structure in the Perception of Music , 1985 .
[20] A. Gabrielsson,et al. Performance of musical rhythm in 3/4 and 6/8 meter , 1983 .
[21] Andrew J. Rosenfeld,et al. Perception and Production of Syncopated Rhythms , 2007 .
[22] Peter Essens,et al. Perception of Temporal Patterns , 1985 .
[23] Anja Volk. The Study of Syncopation Using Inner Metric Analysis: Linking Theoretical and Experimental Analysis of Metre in Music , 2008 .
[24] J. Snyder,et al. Pulse and Meter as Neural Resonance , 2009, Annals of the New York Academy of Sciences.
[25] Simon R. Hawkins,et al. Imitation and production of interval ratios , 1986, Perception & psychophysics.
[26] B. Repp. Sensorimotor synchronization: A review of the tapping literature , 2005, Psychonomic bulletin & review.
[27] Jeanne Bamberger,et al. Music as Embodied Mathematics: A Study of a Mutually Informing Affinity , 2003, Int. J. Comput. Math. Learn..
[28] R. Parncutt. A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms , 1994 .
[29] Peter Desain,et al. Computational models of beat induction: the rule-based approach , 1999 .
[30] Godfried T. Toussaint,et al. The Edit Distance as a Measure of Perceived Rhythmic Similarity , 2011 .
[31] Henkjan Honing,et al. Swing once more: Relating timing and tempo in expert jazz drumming , 2008 .
[32] Gábor P. Háden,et al. Probing Attentive and Preattentive Emergent Meter in Adult Listeners without Extensive Music Training , 2009 .
[33] S. Handel. The differentiation of rhythmic structure , 1992, Perception & psychophysics.
[34] J. Bamberger. Growing up prodigies: The midlife crisis , 1982 .
[35] Henkjan Honing,et al. Is Beat Induction Innate or Learned? , 2009, Annals of the New York Academy of Sciences.
[36] P. Johnson-Laird,et al. The evaluation of the consistency of quantified assertions , 2014, Memory & cognition.
[37] H. C. Losguet-Higgins. The Perception of Music , 1978 .
[38] L. Cuddy,et al. Detection of metric structure in auditory figural patterns , 2002, Perception & psychophysics.
[39] S. Trehub,et al. Metrical Categories in Infancy and Adulthood , 2005, Psychological science.
[40] A. Houtsma,et al. Discrimination of auditory temporal patterns , 1994, Perception & psychophysics.
[41] Esther Ziegler,et al. Early electrophysiological correlates of meter and rhythm processing in music perception , 2009, Cortex.
[42] Hugh Christopher Longuet-Higgins,et al. Review Lecture The perception of music , 1979, Proceedings of the Royal Society of London. Series B. Biological Sciences.
[43] Sangeet Khemlani,et al. The processes of inference , 2013, Argument Comput..
[44] Aniruddh D. Patel,et al. Experimental Evidence for Synchronization to a Musical Beat in a Nonhuman Animal , 2009, Current Biology.
[45] Vladimir I. Levenshtein,et al. Binary codes capable of correcting deletions, insertions, and reversals , 1965 .
[46] Scott P. Johnson,et al. Infants use meter to categorize rhythms and melodies: Implications for musical structure learning , 2005, Cognitive Psychology.
[47] A. Gabrielsson,et al. Similarity ratings and dimension analyses of auditory rhythm patterns. I. , 1973, Scandinavian journal of psychology.
[48] Panayotis Mavromatis,et al. Minimum description length modelling of musical structure , 2009 .
[49] P. Essens,et al. Structuring temporal sequences: Comparison of models and factors of complexity , 1995, Perception & psychophysics.
[50] C. Krumhansl,et al. Mental representations for musical meter. , 1990, Journal of experimental psychology. Human perception and performance.
[51] D J Povel,et al. A theoretical framework for rhythm perception , 1984, Psychological research.
[52] Philip N. Johnson-Laird,et al. Rhythm and meter: A theory at the computational level. , 1991 .
[53] Philip N. Johnson-Laird,et al. How Jazz Musicians Improvise , 2002 .
[54] M. Steedman,et al. The Perception of Musical Rhythm and Metre , 1977, Perception.
[55] Nick Collins. Towards a style-specific basis for computational beat tracking , 2006 .